Blowing Cave: West
Year: 2024
Material/Technique: Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel, Resin, Rocky Paint
Size: 60.6 × 60.6 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 2,204
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2024
- Material/Technique
- Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel, Resin, Rocky Paint
- Size
- 60.6 × 60.6 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Nishizawa Naomi
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 4-7 Days
- Category
- Painting
- Style
- Half Abstraction, Fantasy, Japanese Painting / Japanese Style
Work Details
A circle drawn on the rock wall by a giant, white creature that feeds on jewels. Over many years, this became a wind cave to the west. When the wind blows through here and a low sound like a horn echoes, it is said that rare jewels can be harvested that year.
— — — — — — — — —
This work has a white circular phase when it is bright, but when it gets dark, the phosphorescent paint scattered in a circle shines like stars in the night sky.
After 15 minutes of sufficient irradiation, it will glow gently for 8 hours.
When in natural light, the light gradually shines in the evening and gradually fades in the morning.
material
Brass Leaf (Mounted on Paper), Oil-Based Alkyd Resin Paint, Hemp Paper, IWA-Enogu (mineral pigments), Brass Leaf, Aluminum Leaf, Luminescent Pigment
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How to Buy
This artwork is available for purchase.
USD 2,204
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Contemporary Japanese-Style Painting
Naomi Nishizawa creates “The Tale of the Second Moon,” a narrative born from her unique imagination.
She is a contemporary artist celebrated for her radiant and intricate compositions employing gold and metallic leaf. Rooted in the traditions of Japanese painting, she fuses diverse materials such as handmade washi paper, oil-based resin, and phosphorescent pigments to create a singular visual world.
Within her semi-abstract works, quiet imagined scenes are gently interwoven. These softly spun visions evoke moments from fairy tales and mythology, inviting viewers into a poetic narrative realm. Shimmering, reflective, and glowing materials function not only as decorative elements but also as gateways to dreamlike, multilayered worlds.
Since 2019, Nishizawa has exhibited in Japan and internationally, including Paris, Hong Kong, Singapore, and Jakarta, steadily expanding her global recognition and acclaim. She was born in Tokyo, where she lives and works.
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