8da0b6(Toyosaki,Kisshoin)

Year: 2025

Material/Technique: Canvas, Acrylic, Silk Screen

Size: 52.5 × 45 × 2.5 cm

Edition: Unique

Signed:Included

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8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)

About the Work

Year
2025
Material/Technique
Canvas, Acrylic, Silk Screen
Size
52.5 × 45 × 2.5 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Included
Category
Painting

Work Details

Size: H52.5 × W45 × D2.5 cm

Medium: acrylic paint and silkscreen on canvas

Year: 2025
Edition: one of a kind (unique piece)

Certificate: ⚪ ︎

Signature: ︎⚪ ︎

■Details of the work

Plants common to “8da0b6 (Toyosaki, OSPA)” are drawn on a light blue background. At the top right of the painting, a blurry window that seems to reflect the horizon and sky stands up while missing a part, creating the impression that it blends in with the plants and background. The blue mouse trajectory moves around the entire screen indefinitely, accentuating the artificially straight part of the window.

Yoshihiko Yamazaki is trying to draw images of moments that are not special, such as photographs and data of individuals in the smartphone/SNS generation, in paintings that may remain for hundreds of years. He says, “There is a psychological sense of distance in drawing simply by applying paint to the brush and performing expressions that make use of chance,” sketches are performed on software such as Photoshop and Illustrator, and then the work is assembled while using indirect techniques such as projectors, laser cutters, silkscreens, masking, and UV printers. The painting that appears in a real space for the first time in the final painting part shows the appearance of a workspace on software. Photos with layers added and images with curved edges, which should also be said to leave signs of a magic eraser tool or 3D scan, float while blending into a background uniformly painted in one color.

These images are taken from my own SNS account called “8da0b6,” which is used in many of the work's titles. There are things that can determine what is depicted based on shape and resolution, but there are also things that cannot. Each image is a photo taken in casual everyday life uploaded, and by being uniquely linked to place names and proper names within the account, the SNS account functions like a database full of personal gaze and language.

Also, what is characteristic of Yamazaki's work is the line, which has a thickness different from other images. This line visualizes the movement of a finger sliding on a smartphone screen or movement on a mouse or trackpad that occurs during PC work, which usually disappears without being recorded.

There is a signature and production year written on the back of the work

■Exhibition Information

Ryoko Kumakura and Yoshihiko Yamazaki Joint Exhibition “Links, Embed Images”

Period
May 31 (Sat) - July 1 (Tue), 2025

Venue

Gallery & Bakery Tokyo 8 min


Address

104-0031

TODA BUILDING 1F, 1-7-1 Kyobashi, Chuo-ku, Tokyo, Japan

Google maps

Opening Hours
08:00〜19:00

Closed

Open every day during the exhibition period

Admission
Free

Access

3 min walk from exit 6 of Kyobashi Station on the Tokyo Metro Ginza Line.

5 min walk from exit B1 of Nihonbashi Station on the Tokyo Metro Ginza Line.

8 min walk from the Yaesu Central Exit of Tokyo Station on all JR Line.

Tokyo 8 min official Instagram

Exhibition Information

View in a Room

8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)
8da0b6(Toyosaki,Kisshoin)

Artist

山﨑愛彦
✔︎

1994年北海道生まれ。 2016年札幌大谷大学芸術学部美術学科絵画分野を卒業。 2020年北海道教育大学大学院教育学研究科教科教育専攻美術専修(油彩画)を修了。 2024年京都市立芸術大学美術研究科博士課程(版画)在籍中 個展 2022年 Like infrared  GAMOYON gallery/大阪 2021年 8da0b6  kumagusuku/京都 2020年 矢印の輪切りいくつか見る。  北海道文化財団アートスペース/札幌 2019年 室内装飾とテクスチャ  ギャラリー創/札幌 2017年 buoyancy  TOOV cafe/札幌 2016年 face  ギャラリー創/札幌 グループ展 2022年 somewhere in between THE blank GALLERY(東京) てんかいするメソッド 成安造形大学 キャンパスが美術館(滋賀) Between me and me REAL Style本店(名古屋) Bandwagon effect   Blend studio/大阪 2021年 dpi  kanze arts/福岡 2020年 シェル美術賞展2020  国立新美術館/東京 2019年 Nameless Landscape  札幌文化芸術交流センターSCARTSコート/札幌 さっぽろアートステージ2019 ーまなざしのスキップー  札幌文化芸術交流センターSCARTSモール/札幌 2018年 開館50周年記念 mima 明日へのアーティストたちとともに  北海道立三岸好太郎美術館/札幌 JRタワー・アート・プラネッツ グランプリ 2018  プラニスホール/札幌 2016年 北海道作家作品展 ー2020来るべき者たちー  クロスホテル札幌/札幌 その他 2022年 ARTISTS' FAIR KYOTO 2022  京都文化博物館別館/京都 2021年 第34回ホルベイン・スカラシップ奨学生 2020年 シェル美術賞展2020  入選 2016年 札幌大谷大学  大谷賞 2015年 北海道美術協会  協会賞

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2025年5月31日(土)〜7月1日(火)までGallery & Bakery Tokyo 8分で開催する熊倉涼子・山﨑愛彦 二人展「Links, Embed Images」出展作品です。

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Last updated date
05.30.2025