A note about exhibition 4
Year: 2025
Material/Technique: Canvas, Acrylic, Silk Screen
Size: 60 × 40 × 4 cm
Edition: Unique
Signed:Included
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.











About the Work
- Year
- 2025
- Material/Technique
- Canvas, Acrylic, Silk Screen
- Size
- 60 × 40 × 4 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- The Chain Museum
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 会期後1~2ヶ月程度
- Category
- Painting
Work Details
Size: H60 × W40 × D4 cm
Medium: acrylic paint and silkscreen on canvas
Year: 2025
Edition: one of a kind (unique piece)
Certificate: ⚪ ︎
Signature: ︎⚪ ︎
■Details of the work
This painting is also used as a guide board for the exhibition venue of Gallery & Bakery Tokyo 8 min. The fonts, character patterns, QR codes, and pictograms of guide boards made of cutting sheets that are usually installed at the venue are used as they are, and drawings of the exhibition plan and mouse trajectories are added to the interior.
Yamazaki has tried to turn exhibitions and explanations about his work into paintins in the past, and this work “A Note About Exhibition 4” is linked to that. The letters for posting set up at the venue are peeled off and disappear when the exhibition is over, and the exhibited works also leave for various places. It is one point that clearly shows Yamazaki's basic attitude of trying to leave an image of an instant in a painting that may remain for hundreds of years.
Yoshihiko Yamazaki is trying to draw images of moments that are not special, such as photographs and data of individuals in the smartphone/SNS generation, in paintings that may remain for hundreds of years. He says, “There is a psychological sense of distance in drawing simply by applying paint to the brush and performing expressions that make use of chance,” sketches are performed on software such as Photoshop and Illustrator, and then the work is assembled while using indirect techniques such as projectors, laser cutters, silkscreens, masking, and UV printers. The painting that appears in a real space for the first time in the final painting part shows the appearance of a workspace on software. Photos with layers added and images with curved edges, which should also be said to leave signs of a magic eraser tool or 3D scan, float while blending into a background uniformly painted in one color.
These images are taken from my own SNS account called “8da0b6,” which is used in many of the work's titles. There are things that can determine what is depicted based on shape and resolution, but there are also things that cannot. Each image is a photo taken in casual everyday life uploaded, and by being uniquely linked to place names and proper names within the account, the SNS account functions like a database full of personal gaze and language.
Also, what is characteristic of Yamazaki's work is the line, which has a thickness different from other images. This line visualizes the movement of a finger sliding on a smartphone screen or movement on a mouse or trackpad that occurs during PC work, which usually disappears without being recorded.
There is a signature and production year written on the back of the work
■Exhibition Information
Ryoko Kumakura and Yoshihiko Yamazaki Joint Exhibition “Links, Embed Images”
Period
May 31 (Sat) - July 1 (Tue), 2025
Venue
Gallery & Bakery Tokyo 8 min
Address
104-0031
TODA BUILDING 1F, 1-7-1 Kyobashi, Chuo-ku, Tokyo, Japan
Opening Hours
08:00〜19:00
Closed
Open every day during the exhibition period
Admission
Free
Access
3 min walk from exit 6 of Kyobashi Station on the Tokyo Metro Ginza Line.
5 min walk from exit B1 of Nihonbashi Station on the Tokyo Metro Ginza Line.
8 min walk from the Yaesu Central Exit of Tokyo Station on all JR Line.
Exhibition Information
- Past Exhibitions
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
作家
1994年北海道生まれ。
2016年札幌大谷大学芸術学部美術学科絵画分野を卒業。
2020年北海道教育大学大学院教育学研究科教科教育専攻美術専修(油彩画)を修了。
2024年京都市立芸術大学美術研究科博士課程(版画)在籍中
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2025年5月31日(土)〜7月1日(火)までGallery & Bakery Tokyo 8分で開催する熊倉涼子・山﨑愛彦 二人展「Links, Embed Images」出展作品です。