Images about Wheat

Year: 2025

Material/Technique: Canvas, Oil

Size: 45.5 × 53 × 2 cm

Edition: Unique

Signed:Included

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Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat

About the Work

Year
2025
Material/Technique
Canvas, Oil
Size
45.5 × 53 × 2 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Included
Category
Painting

Work Details

Size: H45.5 × W53 × D2 cm (F10)

Medium: oil on canvas

Year: 2025
Edition: one of a kind (unique piece)

Certificate: ⚪ ︎

Signature: ︎⚪ ︎

■Details of the work

A mural image of a wheat harvesting scene drawn on the tomb of a person who worked as a craftsman in ancient Egypt is placed on the workspace and on the wall in a state where it is folded 90 degrees. As if overlapping with the mural, the wheat illustration page published in a manual called “Medicinal Plants” by Kohler published in 1897 is partially blended in with the left and right reversed. A 3D scanned image of a “pretzel croissant” sold at Gallery & Bakery Tokyo 8 min. is printed out on the workbench, and it is held with staples so that it is three-dimensional while being supported by a cardboard pedestal.

Kumakura Ryoko's production begins by setting a theme. Next, pieces with the theme are collected from web searches and book information, a place like a workspace is set up digitally on an iPad, etc., and the pieces and compositions are examined. After that, as the artist herself says, “making a motif,” the working table is reproduced in a real space, the wire is bent, the image is printed out, cut, glued, and arranged. Once the content and structure are fixed, the motif is copied while looking at what was taken and output in painting format.

Most of the elements that appear in the work are images found on the web or in books, and after all, replicated information that circulates in a state where the real thing is somewhere. This information continues to tell the story and background related to the original, but it does not mention that it is a copy itself. However, in Kumakura's works, attention should be paid to the fact that mechanisms that emphasize the uniqueness of reproduction and raise questions are applied during the motif making process.

In terms of the relationship between the real and the reproduced, the exhibition venue, Gallery & Bakery Tokyo 8 min., has a bakery and café space attached to it, so people will see the works along with the smell and taste of bread. The experience of thinking about the relationship between bread and people and their history while chewing on the real thing may be a unique device of this location.

There is a signature and production year written on the back of the work

■Exhibition Information

Ryoko Kumakura and Yoshihiko Yamazaki Joint Exhibition “Links, Embed Images”

Period
May 31 (Sat) - July 1 (Tue), 2025

Venue

Gallery & Bakery Tokyo 8 min


Address

104-0031

TODA BUILDING 1F, 1-7-1 Kyobashi, Chuo-ku, Tokyo, Japan

Google maps

Opening Hours
08:00〜19:00

Closed

Open every day during the exhibition period

Admission
Free

Access

3 min walk from exit 6 of Kyobashi Station on the Tokyo Metro Ginza Line.

5 min walk from exit B1 of Nihonbashi Station on the Tokyo Metro Ginza Line.

8 min walk from the Yaesu Central Exit of Tokyo Station on all JR Line.

Tokyo 8 min official Instagram

Exhibition Information

View in a Room

Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat
Images about Wheat

Artist

Ryoko Kumakura
✔︎

1991年東京生まれ。2014 年に多摩美術大学美術学部絵画学科油画専攻卒業。現在、東京を拠点に活動している。 歴史の中で人々が世界を理解しようとする過程で生まれたイメージを元に、絵画を制作。あるひとつの事柄 に対して多面的な視点で図像を集め、それを元に作品を構成している。そうしたモチーフを、写実的な描写 や落書きのような線などの複数の描写法を混ぜたり、画中画やだまし絵の手法を用いて描くことで、視覚的 に揺さぶりをかけ、目に見えるものとは何かを問う作品を制作している。 主な展示に、2022 年 個展「Transient Images」(日本橋三越本店美術サロン/東京)、2018 年 個展 「Pseudomer」(RED AND BLUE GALLERY/東京)、2021 年 グループ展「Everything But...」(Tokyo International Gallery/東京)、2018 年 熊倉涼子・永井天陽二人展「DI-VISION/0」(TAV GALLERY/東 京)など。2021 年「第 34 回ホルベイン・スカラシップ」奨学生、2019 年「群馬青年ビエンナーレ」に入選。 主な個展 2024 「汀の椰子、対蹠のグラスフロート」Quadrivium Ostium(鎌倉) 「Tange, movebis」三越コンテンポラリーギャラリー(東京) 2023 「イメージの皮」銀座蔦屋書店アートウォール(東京) 2022 「Mitákuye Oyás’iŋ」GALLERY ROOM・A(東京) 「Transient Images」日本橋三越本店 美術サロン(東京) 「Merkmale」RED AND BLUE GALLERY(東京) 2019 「coniunctio」MEDEL GALLERY SHU(東京) 2018 「Pseudomer」RED AND BLUE GALLERY(東京) 2016 「PICTOMANCY」RED AND BLUE GALLERY(東京) 2013 「Frame In-out」 GALLERY KINGYO(東京) 主なグループ展 2026 「winter show 進化の過程」Satoko Oe Contemporary(東京) 2025 「「Before the World」TARTCH(台北、台湾) 「やわらかな未来の考古学ーSoft Archaedlogies of the Future」 CADAN大手町(東京) 「熊倉涼子・山﨑愛彦 二人展「Links, Embed Images」Gallery & Bakery Tokyo 8分(東京) 「二人展:熊倉涼子、平田尚也」Satoko Oe Contemporary(東京) 2024 「人物と静物」ギャラリー小柳(東京) 2023 「ホルベイン・スカラシップ成果展2023」N&A Art SITE(東京) 「熊倉涼子・岡田舜「S(ch)ein」TAV GALLERY(東京) 2022 「The Fairest Fairs #1」TAV GALLERY(東京) 2021 「Everything but…」Tokyo International Gallery(東京) 2019 「STATION! in PACK 2019」Post Territory Ujeongguk(ソウル) 「MID CORE」TAV GALLERY(東京) 「群馬青年ビエンナーレ2019」群馬県立近代美術館(群馬) 2018 「熊倉涼子・永井天陽 DI-VISION/0」TAV GALLERY(東京) 「ANOTHER LENS 新たな視点」JR上野駅Breakステーションギャラリー(東京) 2017 「そ」(日本文化藝術財団奨学生展) 京都造形芸術大学・東北芸術工科大学外苑キャンパス(東京) 2016 「吉原芸術大サービス」旧吉原地区(東京) 2015 「シブカル祭。2015」パルコミュージアム(東京) 「ASIA WEEK NEW YORK」Bernarducci Meisel Gallery(ニューヨーク) 2014 「PLANET JAM」MASATAKA CONTEMPORARY(東京) 「吉原芸術大サービス」旧吉原地区(東京) 「That I shall say good night till it be morrow.」新宿眼科画廊(東京) 2013 「Story Time Girls 2013」Gallery Q(東京) 受賞歴など 2021 第34回ホルベイン・スカラシップ奨学生 2019 群馬青年ビエンナーレ 入選 2017 FACE2017 損保ジャパン日本興亜美術賞 2014 多摩美術大学卒業制作展 福沢一郎賞 2013 平成25年度 日本文化藝術財団奨学生 2011 第47回神奈川県美術賞 準大賞受賞

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2025年5月31日(土)〜7月1日(火)までGallery & Bakery Tokyo 8分で開催する熊倉涼子・山﨑愛彦 二人展「Links, Embed Images」出展作品です。

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Last updated date
05.30.2025