Hearth and Bakers
Year: 2025
Material/Technique: Canvas, Oil
Size: 91 × 72.7 × 2.5 cm
Edition: Unique
Signed:Included
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.













About the Work
- Year
- 2025
- Material/Technique
- Canvas, Oil
- Size
- 91 × 72.7 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- The Chain Museum
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 会期後1~2ヶ月程度
- Category
- Painting
Work Details
Size: H91.0 × W72.7 × D2.5 cm (F30)
Medium: oil on canvas
Year: 2025
Edition: one of a kind (unique piece)
Certificate: ⚪ ︎
Signature: ︎⚪ ︎
■Details of the work
With a blazing fire in the background, a mural depicting the process of making bread, excavated from the tomb of the Pharaoh butler who also appears in “The Fire,” floats diagonally. Since the upper part of the mural is burnt, it looks like printed paper. The wire work in the foreground is in the shape of a Hestia statue appearing in “Der Olymp oder die Mythologie der Griechen und Römer (Olympus, or Greek and Roman mythology)” published in Germany in 1878, and adhesives like oil adhere to it. Underfoot, there is a furnace that also commonly appears in “The Fire” and “Bread, Fire, Cooking.”
Kumakura Ryoko's production begins by setting a theme. Next, pieces in line with the theme are collected from web searches and book information, a place like a workbench is set up digitally on an iPad, etc., and the pieces and composition are examined. After that, as the artist herself says, “making a motif,” the work table is reproduced in a real space, the wire is bent, the image is printed out, cut, glued, and arranged. Once the content and structure are fixed, the motif is copied while looking at what was taken and output in painting format.
Most of the elements that appear in the work are images found on the web or in books, and after all, replicated information that circulates in a state where the real thing is somewhere. This information continues to tell the story and background related to the original, but it does not mention that it is a copy itself. However, in Kumakura's works, attention should be paid to the fact that mechanisms that emphasize the uniqueness of reproduction and raise questions are applied during the motif making process.
In terms of the relationship between the real thing and the reproduction, there is a bakery and cafe space attached to the exhibition hall Gallery & Bakery Tokyo 8 min., so people will see the work along with the aroma and taste of bread. The experience of thinking about the relationship and history between bread and humans while chewing on the real thing may be said to be a trick unique to this place.
There is a signature and production year written on the back of the work
■Exhibition Information
Ryoko Kumakura and Yoshihiko Yamazaki Joint Exhibition “Links, Embed Images”
Period
May 31 (Sat) - July 1 (Tue), 2025
Venue
Gallery & Bakery Tokyo 8 min
Address
104-0031
TODA BUILDING 1F, 1-7-1 Kyobashi, Chuo-ku, Tokyo, Japan
Opening Hours
08:00〜19:00
Closed
Open every day during the exhibition period
Admission
Free
Access
3 min walk from exit 6 of Kyobashi Station on the Tokyo Metro Ginza Line.
5 min walk from exit B1 of Nihonbashi Station on the Tokyo Metro Ginza Line.
8 min walk from the Yaesu Central Exit of Tokyo Station on all JR Line.
Exhibition Information
- Past Exhibitions
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Affiliated Gallery
1991年東京生まれ。2014 年に多摩美術大学美術学部絵画学科油画専攻卒業。現在、東京を拠点に活動している。 歴史の中で人々が世界を理解しようとする過程で生まれたイメージを元に、絵画を制作。あるひとつの事柄 に対して多面的な視点で図像を集め、それを元に作品を構成している。そうしたモチーフを、写実的な描写 や落書きのような線などの複数の描写法を混ぜたり、画中画やだまし絵の手法を用いて描くことで、視覚的 に揺さぶりをかけ、目に見えるものとは何かを問う作品を制作している。 主な展示に、2022 年 個展「Transient Images」(日本橋三越本店美術サロン/東京)、2018 年 個展 「Pseudomer」(RED AND BLUE GALLERY/東京)、2021 年 グループ展「Everything But...」(Tokyo International Gallery/東京)、2018 年 熊倉涼子・永井天陽二人展「DI-VISION/0」(TAV GALLERY/東 京)など。2021 年「第 34 回ホルベイン・スカラシップ」奨学生、2019 年「群馬青年ビエンナーレ」に入選。 主な個展 2024 「汀の椰子、対蹠のグラスフロート」Quadrivium Ostium(鎌倉) 「Tange, movebis」三越コンテンポラリーギャラリー(東京) 2023 「イメージの皮」銀座蔦屋書店アートウォール(東京) 2022 「Mitákuye Oyás’iŋ」GALLERY ROOM・A(東京) 「Transient Images」日本橋三越本店 美術サロン(東京) 「Merkmale」RED AND BLUE GALLERY(東京) 2019 「coniunctio」MEDEL GALLERY SHU(東京) 2018 「Pseudomer」RED AND BLUE GALLERY(東京) 2016 「PICTOMANCY」RED AND BLUE GALLERY(東京) 2013 「Frame In-out」 GALLERY KINGYO(東京) 主なグループ展 2026 「winter show 進化の過程」Satoko Oe Contemporary(東京) 2025 「「Before the World」TARTCH(台北、台湾) 「やわらかな未来の考古学ーSoft Archaedlogies of the Future」 CADAN大手町(東京) 「熊倉涼子・山﨑愛彦 二人展「Links, Embed Images」Gallery & Bakery Tokyo 8分(東京) 「二人展:熊倉涼子、平田尚也」Satoko Oe Contemporary(東京) 2024 「人物と静物」ギャラリー小柳(東京) 2023 「ホルベイン・スカラシップ成果展2023」N&A Art SITE(東京) 「熊倉涼子・岡田舜「S(ch)ein」TAV GALLERY(東京) 2022 「The Fairest Fairs #1」TAV GALLERY(東京) 2021 「Everything but…」Tokyo International Gallery(東京) 2019 「STATION! in PACK 2019」Post Territory Ujeongguk(ソウル) 「MID CORE」TAV GALLERY(東京) 「群馬青年ビエンナーレ2019」群馬県立近代美術館(群馬) 2018 「熊倉涼子・永井天陽 DI-VISION/0」TAV GALLERY(東京) 「ANOTHER LENS 新たな視点」JR上野駅Breakステーションギャラリー(東京) 2017 「そ」(日本文化藝術財団奨学生展) 京都造形芸術大学・東北芸術工科大学外苑キャンパス(東京) 2016 「吉原芸術大サービス」旧吉原地区(東京) 2015 「シブカル祭。2015」パルコミュージアム(東京) 「ASIA WEEK NEW YORK」Bernarducci Meisel Gallery(ニューヨーク) 2014 「PLANET JAM」MASATAKA CONTEMPORARY(東京) 「吉原芸術大サービス」旧吉原地区(東京) 「That I shall say good night till it be morrow.」新宿眼科画廊(東京) 2013 「Story Time Girls 2013」Gallery Q(東京) 受賞歴など 2021 第34回ホルベイン・スカラシップ奨学生 2019 群馬青年ビエンナーレ 入選 2017 FACE2017 損保ジャパン日本興亜美術賞 2014 多摩美術大学卒業制作展 福沢一郎賞 2013 平成25年度 日本文化藝術財団奨学生 2011 第47回神奈川県美術賞 準大賞受賞
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2025年5月31日(土)〜7月1日(火)までGallery & Bakery Tokyo 8分で開催する熊倉涼子・山﨑愛彦 二人展「Links, Embed Images」出展作品です。