Images about Loaves (Nurse Tia)
Year: 2025
Material/Technique: Canvas, Oil
Size: 91 × 72.7 × 2.5 cm
Edition: Unique
Signed:Included












About the Work
- Year
- 2025
- Material/Technique
- Canvas, Oil
- Size
- 91 × 72.7 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Category
- Painting
Work Details
Size: H91.0 × W72.7 × D2.5 cm (F30)
Medium: oil on canvas
Year: 2025
Edition: one of a kind (unique piece)
Certificate: ⚪ ︎
Signature: ︎⚪ ︎
■Details of the work
The word "Loaves" has the meaning of multiple loaves of bread, brains, and laziness.
Behind images of ancient Egypt appearing in “Images about Wheat” and wheat in 19th century Germany, and 3D scans of “pretzel croissants” sold at Gallery & Bakery Tokyo 8 min., part of an Egyptian mural is cut out on the table. This mural is from around 1353 to 1336 BC, with the inscription “Nurse Tia of Ankesempaaten, daughter of the king,” held at the Metropolitan Museum in New York. Tia is depicted looking to the right, holding multiple small loaves of bread, and soothing a restless young princess.
Kumakura Ryoko's production begins by setting a theme. Next, pieces in line with the theme are collected from web searches and book information, a place like a workbench is set up digitally on an iPad, etc., and the pieces and composition are examined. After that, as the artist herself says, “making a motif,” the work table is reproduced in a real space, the wire is bent, the image is printed out, cut, glued, and arranged. Once the content and structure are fixed, the motif is copied while looking at what was taken and output in painting format.
Most of the elements that appear in the work are images found on the web or in books, and after all, replicated information that circulates in a state where the real thing is somewhere. This information continues to tell the story and background related to the original, but it does not mention that it is a copy itself. However, in Kumakura's works, attention should be paid to the fact that mechanisms that emphasize the uniqueness of reproduction and raise questions are applied during the motif making process.
In terms of the relationship between the real thing and the reproduction, there is a bakery and cafe space attached to the exhibition hall Gallery & Bakery Tokyo 8 minutes away, so people will see the work along with the aroma and taste of bread. The experience of thinking about the relationship and history between bread and humans while chewing on the real thing may be said to be a trick unique to this place.
There is a signature and production year written on the back of the work
■Exhibition Information
Ryoko Kumakura and Yoshihiko Yamazaki Joint Exhibition “Links, Embed Images”
Period
May 31 (Sat) - July 1 (Tue), 2025
Venue
Gallery & Bakery Tokyo 8 min
Address
104-0031
TODA BUILDING 1F, 1-7-1 Kyobashi, Chuo-ku, Tokyo, Japan
Opening Hours
08:00〜19:00
Closed
Open every day during the exhibition period
Admission
Free
Access
3 min walk from exit 6 of Kyobashi Station on the Tokyo Metro Ginza Line.
5 min walk from exit B1 of Nihonbashi Station on the Tokyo Metro Ginza Line.
8 min walk from the Yaesu Central Exit of Tokyo Station on all JR Line.
Exhibition Information
- Past Exhibitions
View in a Room
Artist
Artist
Affiliated Gallery
1991年東京生まれ。2014 年に多摩美術大学美術学部絵画学科油画専攻卒業。現在、東京を拠点に活動している。
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2025年5月31日(土)〜7月1日(火)までGallery & Bakery Tokyo 8分で開催する熊倉涼子・山﨑愛彦 二人展「Links, Embed Images」出展作品です。