NIMBY (Not In My Back Yard) (YouFab Global Creative Awards 2019)
Edition: Unique
Signed:Not Set

About the Work
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- Category
- Media Art
- Style
- Digital
Work Details
望遠鏡の形をした映像鑑賞デバイス。望遠鏡を覗いたときと同じように、筒を向けた先の景色が見える。しかしそこに映るのは眼前の景色ではなく、リアルタイムの景色でもない。作者の経験した風景、沖縄の辺野古ゲート前で土砂の搬入を阻止するデモの風景である。全方位カメラで撮影された映像は、「望遠鏡を覗く」行為により、ヴァーチャルでありながらもリアルな身体的感覚を引き起こす。
この作品はキューバのハバナビエンナーレ2019で初出され、あいちトリエンナーレ2019で新バージョンが展示された。ハバナから見える沖縄、愛知から見える沖縄。遠くのものを近くにあるように見ることのできる望遠鏡の特性を応用し、物理的距離を「心理的距離」に置き換えるために制作された映像デバイスである。
Video viewing device in the shape of a telescope. Just like when looking through a telescope, you can see scenery with the pointing tube. However, it is not a scene in front of you but a real-time scene. This is a scene of the author’s experience and a demonstration that prevents the transport of earth and sand in front of the Henoko Gate in Okinawa. A video taken by an omnidirectional camera causes a realistic physical sensation even though it is virtual due to the action of “looking through the telescope”. This work was first shown at the Havana Biennale 2019 in Cuba, and a new version was exhibited at the Aichi Triennale 2019. Okinawa seen from Havana, Okinawa seen from Aichi. It is a video device created to replace the physical distance with a “psychological distance” by applying the characteristics of a telescope that can see distant objects as close to each other.
LoftworkとFabCafeが主導する「Fab」の文脈に根ざしながら、ジャンルにとらわれないグローバルなクリエイターネットワークを育くむアワードです。 開催8回目の2019年度は、過去最多の43ヶ国・285作品の応募作品の中から20点の作品を選出いたしましました。
Exhibition Information
- Past Exhibitions
- Media Ambition Tokyo 202002.28.2020 - 03.08
Artist
Artist
Affiliated Gallery
Born in Kagoshima in 1968, Tadasu Takamine currently lives and works in Tokyo. For a period of four years beginning in 1993, he was active as a performer with the troupe Dumb Type. He creates both critical and ironic visualizations of issues in contemporary society through diverse modes of expression, including live performance, video, and installations. His works thus far include Kimura-san (1998), a video piece revolving around his communication with and sexual care for a disabled man; A Lover from Korea (2003), a work which was based on a relationship of Takamine’s own and takes up the problem of discriminatory sentiment toward Korean residents of Japan; and the Japan Syndrome series (2011 -) of plays reenacting dialogues with staff at stores, restaurants, and other such businesses about radioactive contamination of food due to the nuclear power station catastrophe in Fukushima Prefecture. Takamine is also known for God Bless America (2002), a clay animation video proceeding from criticism of U.S. policy surrounding the invasion of Afghanistan after the 9/11 terrorist attacks. He used about two tons of oil-based clay to make this work, which was entered in the 50th Venice Biennale. Takamine’s main solo exhibitions were A Lover from Korea, NPO Tanba Manganese Mining Museum (Kyoto, 2003); BIG REST – Gardening for the Future 1,095 ㎡, sendai mediatheque (Miyagi, 2008); Good House, Nice Body, 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, 2010); Too Far To See, Yokohama Museum of Art, Kanagawa / Hiroshima City Museum of Contemporary Art, Hiroshima / Kirishima Open Air Museum, Kagoshima / IKON Gallery, Birmingham, U.K. (2011-2012); Tadasu Takamine’s COOL JAPAN, Contemporary Art Gallery, Art Tower Mito (Ibaraki, 2012); Japan Syndrome – Utrecht Version, CASCO, Utrecht, Netherlands (2013); and Japan Syndrome, Hebbel am Ufer (Berlin, 2014). Takamine was also invited by the German Academic Exchange Service (DAAD) to participate in a one-year residency program in Berlin in 2013. Public Collection Queensland Art Gallery, Australia M+, Hong Kong 21st Century Museum of Contemporary Art, Kanazawa, Japan National Museum of Modern Art, Kyoto, Japan Contemporary Art Museum Kumamoto, Kumamoto, Japan National Museum of Modern Art, Tokyo, Japan Toyota Municipal Museum of Art, Aichi, Japan Hiroshima City Museum of Contemporary Art, Hiroshima, Japan Miyakonojo City Museum of Art, Miyazaki, Japan Yokohama Museum of Art, Kanagawa, Japan Kadist Art Foundation, Paris, France SAMUSO, Korea Daisuke Miyatsu Collection Takahashi Ryutaro Collection
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