Skin Painting;The Sea(2)
Year: 2023
Material/Technique: Oil, Canvas
Size: 130 × 486 cm
Edition: Not Set
Signed:Not Set
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2023
- Material/Technique
- Oil, Canvas
- Size
- 130 × 486 cm
- Edition
- Not Set
- Signed
- Not Set
- Frame
- Not Set
- Work Certificate
- Not Set
- Distributor of artworks
- Shushu Yume
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Painting
Work Details
心の変化をきっかけに、海を描きたいという気持ちが生まれた。
私たちが普段思い浮かべる海のイメージは、青く広がる水面が空と地平線でつながり、
砂浜では人々が遊んでいたり、ペンギンやイルカといった生き物が暮らしていたりするような光景だろう。
しかし、私が描いた海は、そうした現実の風景とは異なっている。画面に一本の線を引くことで、
かすかに「海」を感じさせる構成になっている。また、描いた質感や色合いは皮膚に近く、
抽象絵画のようでもあるが、同時に風景としての側面も持っている作品である。
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This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Yume Shu is a painter based in Tokyo. Graduated from Tama Art University Graduate School. It mainly creates the “Skin Painting” series, and has repeatedly received awards and selections at domestic and international art awards and competitions. The work is in the Ueno Royal Museum of Art. In my new portrait, I aim to express my consciousness by using human skin as a motif in my paintings. The representation of skin contrasts with the inner self, and I seek to explore beauty not just through surface-level recognition, but by transcending people's inherent perceptions. Using skin as a medium, I pursue beauty beyond the confines of individual identity. Throughout history, the study of the human body has been explored by many artists: Leonardo da Vinci during the Renaissance, Francis Bacon with his deformed figures, Pablo Picasso who sought to change perspectives, and Jenny Saville who continues to explore the potential of bodily expression. Humanity, over time, has delved deeper into understanding the body and the self through various approaches. I, too, have continuously worked to explore the possibilities of the human condition, beginning from myself—from my consciousness to my body. The soul resides within the body, and at times, a beautiful body can instantly captivate others. Yet, human history is also a history of violence. When we consider things more delicately, it is not far-fetched to say that even our very presence on Earth constitutes a form of violence. Violence is an inseparable part of humanity. Inspired by the phenomenon of blood pooling beneath the skin, I channel this into my creative process. This phenomenon becomes an essential theme in my work, connecting the inner and outer aspects of the human experience, and adding a new dimension to my art.
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