生生0
Year: 2023
Material/Technique: Pearl, Mixed Media, Iron
Size: 200 × 90 × 90 cm
Edition: Unique
Signed:Not Set
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2023
- Material/Technique
- Pearl, Mixed Media, Iron
- Size
- 200 × 90 × 90 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Set
- Work Certificate
- Not Set
- Distributor of artworks
- 寺澤季恵
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Sculpture
Work Details
ガラス、鉄、ミクストメディア
glass, iron, mixed media
Life is generally portrayed to be abundant, but I am attempting to feel life from aspects like decomposition and death. The shapes unique to blown glass, motifs of the body, and clusters, may often seem eerie. However, because the shiny property of glass allowed me to simply find them beautiful, it has led me to return to life as being abundance, as mentioned at the beginning. I create work in-between the phenomenon of glass and my perspective of life.
Testimonials
Exhibition Information
- Past Exhibitions
- ARTISTS' FAIR KYOTO 202502.28.2025 - 03.02
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
ガラス作家
1997年 静岡県生まれ。2020年多摩美術大学工芸学科、2022年富山市立富山ガラス造形研究所研究科卒業。現在は金沢卯辰山工芸工房にてガラス作品制作を行う。"生命"を大きなテーマとし、彫刻やインスタレーションで表現する。主な展覧会に2024年個展「生生-ショウジョウ-」Gallery O2、「Hysterik Nature」三越コンテンポラリーギャラリー、2022年「KUMA EXHIBITION」ANB Tokyo など。
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Support Request Message
Send a Sticker to this artwork and support the artist.(¥160〜)
What is Sticker?
一般的に”生命は豊かなもの”として表されるが、私は腐敗や死などといった側面から「生」を感じようとしている。吹きガラス特有の形や身体のモチーフ、集合体はしばしば不気味なものに見えることがある。しかしガラス本来の輝きのおかげでそれらがシンプルに美しいとも思えたことから結果的に最初に述べた”生命は豊かなもの”に回帰すると考えている。ガラスの現象と自らの生命観の間で作品を制作している。
Life is generally portrayed to be abundant, but I am attempting to feel life from aspects like decomposition and death. The shapes unique to blown glass, motifs of the body, and clusters, may often seem eerie. However, because the shiny property of glass allowed me to simply find them beautiful, it has led me to return to life as being abundance, as mentioned at the beginning. I create work in-between the phenomenon of glass and my perspective of life.