BEAUTifUEL

Year: 2025

Material/Technique: Mixed Media, Paint, Plastic

Edition: Unique

Signed:Not Included

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USD 519

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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BEAUTifUEL
BEAUTifUEL
BEAUTifUEL
BEAUTifUEL

About the Work

Year
2025
Material/Technique
Mixed Media, Paint, Plastic
Edition
Unique
Signed
Not Included
Frame
Not Included
Work Certificate
Included
Distributor of artworks
Yu Amemiya
Ship-from Area
Kanagawa Prefecture
Days Until Dispatch
Not Set
Category
Mixed Media
Style
Conceptual, Quiet, Minimalism, Love, Philosophy / Vanitas

Work Details

Concept and Intention of the Artwork

Beauty is the heart’s act of recognizing it.
The world is inscribed with a grammar that trends toward chaos.
Life, by imposing a fleeting order, manages to keep its heart alive within this world.

White is sunlight pouring down from the sky,
stars shimmering in the night,
drifting clouds, and the spray of the ever-returning waves—
the color of an unruly grammar, of awe.

Unable to fully grasp this grammar,
people have named it gods and spirits,
attempting to contain it through language.
Through the social algorithm we call faith,
that awe, once reinforced, invites beauty in its relative sense.

At the threshold of human perception—
the limit of the light we can receive—
the heart acknowledges the beauty of white.

White as White.
Beauty, or perhaps, an Iron Maiden.

Exhibition View
Video
What You Want to Express Through the artwork

This work poses questions about whiteness and beauty.
A baby figurine sits beneath an IV drip filled with white paint, falling drop by drop.

Viewers can choose to make the figurine even whiter using a paintbrush in their left hand or wipe away the white paint with a tissue in their right, and then carry out that choice.

This baby figurine once resided in the cradle immediately to the right upon entering the Escape Bar. Some visitors may have grown fond of it over time.

This piece reflects the relativity of beauty within the Escape Bar.
Many who step inside comment on how “clean” or “beautiful” it looks—impressions likely linked to the color white’s associations with purity, holiness, and cleanliness.

Originally, the bar was a brown-toned café purchased as-is. Over the course of three months, it was steadily transformed by layering on white paint.
Each time a person enters, the white floor becomes marked with dark footprints. Rather than cleaning, we simply repaint over those marks with more white paint.

We label the dark (black) as “dirty” and keep burying it under the “clean” white paint.
Yet again, people come in and say, “It’s so clean.”

In many ways, “justice” belongs to the victor. Throughout history, the winners of wars have overwritten the stories that came before.
In this space, what was deemed dirty—dark traces of nature—gets repeatedly covered with a white, chemical-based coating, creating layers of beauty, a kind of geological strata of paint.
By substituting a baby—this symbol of innocence—for the floor of the bar, which has been made “purely white” by countless coats of paint, the work challenges viewers to examine their own conceptions of “beauty.”

Production Location

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This artwork is available for purchase.

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USD 519

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Yu Amemiya
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Yu Amemiya

immersive story creator

Amemiya Yuu is an Immersive Storywright who brings parallel world novels into real-world experiences. Through "Immersive novels," he blends literature and ritual into festivals and relational art, blurring reality and imagination. In 2014, he founded Silent it, Japan’s first silent disco brand. In 2016, he launched Ozone LLC and the "Social Fes®" project envisioning a post-SDGs world. His works include "Dance Furoya," "Mud Land Fest," and "KaMiNG SINGULARITY." The Reiwa Yin-Yang Festival, "Kamakura Shikyousai," was nominated for the JACE Event Awards. He has produced over 100 festivals, featured on major media like Nippon TV and TBS. He also directs events, writes scripts, develops brands, designs spaces, writes novels, and DJs across Japan. In 2020, he opened "NigeBar White Out" in Yokohama, closed it in 2025, founded "Ozone-sō," and held the solo exhibition "Arite, Nakereba." He received an Honorable Mention in the Future Society Scenario Contest. Yu Amemiya – Immersive Storywright Yu Amemiya is an artist who explores the "thresholds" where fiction and reality, individuality and collectivity, nature and humanity intertwine. He calls his unique method “immersive novels,” where imagined worlds written as fiction are summoned into reality through festivals, immersive theater, and relational art. Style: The Fusion of Experience Novels and Rituals At the core of his work lies an Eastern natural philosophy: new worlds emerge through the knots of relationships among differing beings. Drawing from interdisciplinary themes such as quantum mechanics, AI, life sciences, mythology, and ritual culture, Amemiya centers his expression on festivals where participants physically experience the world by becoming "inhabitants of the story." Rather than passively receiving the work, participants actively expand the fiction, creating overlapping layers of interpretation and new resolutions of the world. He describes this process as "the ephemeral creation of a multiverse where people, fiction, and reality interweave," and promotes projects that connect art, society, and collective creativity, resonating with social practice and art collective movements. Major Festival Works Dance Furoya: A festival heating up both bathhouse and dance floor simultaneously. Mud Land Fest: A muddy festival connecting urban and agricultural communities. KaMiNG SINGULARITY: A trilogy depicting a world where AI has become divine. Kamakura Shikyousai (Reiwa Yin-Yang Festival): Nominated for the JACE Event Awards alongside Tokyo 2020 Olympics. RingNe: A long-form experience novel portraying a world where humans reincarnate into plants, held with over 200 collaborators in Minamiashigara City. Other Activities Producing immersive theater such as Ændroid Clinic and Escape to Light. White Out; Scriptwriting and directing for stage works; Concept-making for exhibitions (e.g., Panasonic "Kindness of Imagination" Exhibition, JOCA "Story of Things" Exhibition); Brand concept development, creative direction, space art direction, sound design, novel writing, and media art production. Main Achievements, Awards, and Collaborations Concept design and space art direction for Shibuya 100BANCH "Nanana Festival" Produced "Disco Hack" for Tokyo Design Week 30th Anniversary Directed performances for Yuki Oshida at Festival of Death and Dying 2024 Sydney Wrote and directed Escape to Light. White Out. for YPAM Fringe 2023 Sound engineering for Audemars Piguet Exhibition "Beyond the Watch" Monthly silent festival planning at Sunshine 60 Observatory "SKY CIRCUS" Overall production for JAA "aroma for earth" and Ota City Cultural Promotion Foundation "Neo Bon Odori" Advisor for MURAMATSURI, Earth Day Tokyo, ICHI FES, Tokyo AI Festival, etc. Guest speaker at United Nations University, Kyoto University Institute for Research in Humanities, Yokohama College of Commerce Chief Judge for Startup Weekend Yokohama Exhibitor at DESIGNART TOKYO 2023 Honorable Mention in the Scenario Contest for Superintelligent Future Society Recent Bases and Future Outlook 2020: Opened "NigeBar White Out" in Yokohama; later held his first solo exhibition "Funeral Portraits Exhibition." 2022: Group exhibition "If Life Is Beautiful, Why?" 2023: Started new experience novel project "RingNe." 2025: Established "Ozone-sō" as a new base for creation. Philosophical Background Amemiya’s work draws from a wide range of fields such as quantum mechanics, life sciences, AI, and mythology. Underlying these diverse themes is a consistent worldview: “All phenomena arise as knots of relationships.” Through his projects, he proposes an attitude of “exploring unknown worlds through the body,” believing that the process of subjective intervention and co-creation in stories is a creative way to survive an uncertain world. Impact on Media and Society Having directed and produced over 100 festivals across Japan, Amemiya’s unique "experience novel" culture has been featured widely on media like Nippon TV The Most Useful School in the World and TBS Sunday First Ear Learning. Through projects like "Social Fes®" addressing SDGs issues and many others translating social themes into artistic expressions, he practices "the design of relationships" connecting art, society, individuals, and collectives.

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新たな体験小説、映画、リレーショナルアート、未知なる体験機会、つくりたいもののアイディアはまだまだあり、資金があるだけ、延々と新しいものがつくれます。ご支援いただいたお金は今後の作品制作費のため、大切に使わせていただきます。
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Last updated date
01.20.2025
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