名付けられた世界を変える時
製作年份: 2023
材料或技法: 紙, 水彩
尺寸: 178.4 × 404.6 cm
版本: 獨特
簽名:沒有設定







關於作品
- 製作年份
- 2023
- 材料或技法
- 紙, 水彩
- 尺寸
- 178.4 × 404.6 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 包括
- 作品證書
- 沒有設定
- 藝術品經銷商
- SHIMIZU Mikan
- 發貨區域
- 山形縣
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
- 風格
- 抽象的, 半抽象, 動物
作品詳情
「変化に伴う“矛盾“した感覚」をテーマにした作品。
自身の世界を広げる時、心象ではどんな景色が広がっているのだろうか?
自身の視野を広げるには「親しみ慣れた行動や環境を変える」という選択が時には必要だ。その時、さまざまな思考や感覚が現れる。
「変化した方が良いと分かっているけれど、予想できない未来が怖い」
「変化せず、予想できる現在のままでいる方が、心地良い」
一方、相反する思考を抱きながらも、”一歩踏み出す”を繰り返すと、視野も、心地良く過ごせる世界も広がっていく。後に、「現時点で見えている場所もひとつの世界であり、外にも新たな世界があるのだ」と気付きを得る。
「自身の思考の動き / 視野の鮮明さと不鮮明さ / 世界の境界線」の象徴として、知恵の象徴とされる「フクロウ」、ふわふわとした植物「スモークツリー」、そして「殻のようなシルエット」をモチーフに選んだ。
矛盾した感覚と、視野を広げ成長する様子を景色として表現している。
▼ Detail
自分の親しみ慣れた行動や環境を変える、という選択にしばしば恐怖が伴います。
変える方が良いけれど怖い、今と同じままが心地良い。そんな矛盾した気持ちを抱えます。しかし一歩踏み出せれば、行動できる範囲が広がっていきます。
私は慎重すぎるあまり、何か行動しようと決めた後にも関わらず、行動が止まってしまう瞬間があります。
そんな自分に気付いた時、この作品を思い出すと少し心が楽になります。
「 恐怖があるのは当たり前だ。1%の変化でも良いから、今できる事をやろう 」と言葉が浮かぶので。
購買方式
這件作品可供購買。
USD 12,871
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藝術家
Artist
2025 MFA, Paintings field, Speciality in Culture and the Arts, Tohoku University of Art & Design I was fascinated by the “moment you lose sight of time” hidden in the light at dusk, and created with the theme of “texture of light.” Under the evening sky, which has different colors every day, the ever-changing light blurs the interior while leaving the outline of things, and questions how to capture existence. It focuses on the multi-layer structure of recognition from a brain science/philosophical point of view, and captures “contours” as “symbols of linguistic boundaries.” Highly transparent layers mixed with mica and polarizing pigments are layered over and over to construct a screen that changes according to viewing time and point of view due to resonance with the light in the exhibition space. This transformation of light creates a contrast between the ambiguous appearance inside the motif and the clear outline, and presents various ways of seeing hidden in one world. ■Profile Born in Hokkaido 2025 MFA, Paintings field, Speciality in Culture and the Arts, Tohoku University of Art & Design 2022 BFA, Oil Painting in Fine Art, Tohoku University of Art & Design ■Main solo exhibitions 2025 “ Quality of Light - Twilight Beyond Time ”, WINDOW, Yamagata, Japan 2024 “ Light's Presence “, WINDOW, Yamagata, Japan 2023 “ Qualia ”, THE TOP, Yamagata, Japan ■Main Group Exhibitions 2025 “ TUAD ART-LINKS 2025 “, ORIE ART GALLERY, Tokyo 2025 “ Tohoku University of Art & Design Graduation Research & Project Exhibition 2024 - Tokyo Selection”, Tokyo Metropolitan Art Museum, Tokyo 2022 “ perché “, Surugadai Gallery, Ginza, Tokyo, Japan 2021 “ Victory Bouquet ”, Boston Children’s Museum, America ■Other major activities 2024 Exhibit “SICF25”, Spiral Hall, Tokyo 2023-24 Space Decoration Artwork “Japan Business Design Awards National Convention”, Kanda Myojin Hall, Tokyo/ Cooperation: EnoGG Co., Ltd., etc. 2023~2024 Animal Art Production/Cooperation: EnoGG Inc. --- My artwork expresses the "Quality of Light" inspired by twilight scenes. I am often captivated by twilight scenes that . During these moments, as diverse hues spread across the sky and light transforms continuously, vegetation seems to dissolve into the light itself. The internal form of objects progressively becomes ambiguous, transforming like silhouettes. What's fascinating, however, is that the outlines that remain until the end give me a definite intuition of "that's a flower" or "that's a bird," hinting at their original meanings. This phenomenon seems to raise questions about how humans perceive and comprehend existence. From the perspectives of neuroscience and philosophy, I believe humans’ perception of the world is constructed from three elements: "qualia," "cognitive processes," and "linguistic categorisation." I have focused on the multi-layered structure of perception, considering how these elements overlap like "layers" to form humans’ perceived world. In my artistic approach, I interpret "the outlines of objects" as symbols of "boundaries created by linguistic categorisation," and use contrasts between the ambiguous texture inside motifs and the outlines that remain in my consciousness. For my technique, I create highly transparent layered structures by combining interference pigments, mica, and small glass beads with acrylic medium. These compositions incorporate light reflections, chromatic shifts, and spontaneous textures, allowing the artwork to present different appearances depending on the viewer's perspective and changes in environmental light. This approach reflects how humans’ perceptual world exists as various overlapping meanings (layers), simultaneously containing contradictory impressions. Within this, what exactly are we focusing on and discovering? Through the shifting qualities of light, I hope we can recognize and appreciate the diverse meanings in existence around us.
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