Light's Presence - Twilight Sky #02
製作年份: 2024
材料或技法: 丙烯酸纖維, 帆布
尺寸: 22.7 × 15.8 × 1.7 cm
版本: 獨特
簽名:沒有設定





關於作品
- 製作年份
- 2024
- 材料或技法
- 丙烯酸纖維, 帆布
- 尺寸
- 22.7 × 15.8 × 1.7 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 不包含
- 作品證書
- 沒有設定
- 藝術品經銷商
- SHIMIZU Mikan
- 發貨區域
- 山形縣
- 發送前的天數
- 展示会終了後、約2週間
- 類別
- 繪畫
- 風格
- 半抽象, 幻想
作品詳情
The object you see in front of you has so many meanings superimposed on it that conflicting meanings can also be created. Where do we focus our attention and what do we find in it? The object to be recognized does not appear from a single point of view; it appears in a different form. When you capture multiple impressions, it can expand your tolerance for the beings and events you face.
The “texture of light” is expressed using the scenery at dusk as a motif.
I am often fascinated by the twilight scenery that “makes me lose sight of even the timeline.” Diverse colors unfold every day, and in the ever-changing light, plants seem to melt into the light. The interior of an object gradually becomes unclear, and it changes like a shadow painting. Interestingly, however, the outline that remains until the end certainly foreshadows what it was originally. This phenomenon seems to be questioning how we understand the world.
From the viewpoint of brain science and philosophy, perception of the world is constructed from three elements: “qualia,” “cognitive function,” and “linguistic classification.” I considered that these elements “overlap like layers” to capture the world, and focused on the multi-layered structure of the cognitive world.
I take “outline” as a symbol of a “boundary based on linguistic classification,” and use a contrast between unclear expressions within motifs and contours that remain in consciousness. By including light reflection, color changes due to polarizing pigments, and accidental textures in the multi-layer structure made of transparent materials, it is intended that different appearances will appear depending on how the focus is applied.
觀賞擺飾在房間裡的樣子
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藝術家
Artist
2025 MFA, Paintings field, Speciality in Culture and the Arts, Tohoku University of Art & Design I was fascinated by the “moment you lose sight of time” hidden in the light at dusk, and created with the theme of “texture of light.” Under the evening sky, which has different colors every day, the ever-changing light blurs the interior while leaving the outline of things, and questions how to capture existence. It focuses on the multi-layer structure of recognition from a brain science/philosophical point of view, and captures “contours” as “symbols of linguistic boundaries.” Highly transparent layers mixed with mica and polarizing pigments are layered over and over to construct a screen that changes according to viewing time and point of view due to resonance with the light in the exhibition space. This transformation of light creates a contrast between the ambiguous appearance inside the motif and the clear outline, and presents various ways of seeing hidden in one world. ■Profile Born in Hokkaido 2025 MFA, Paintings field, Speciality in Culture and the Arts, Tohoku University of Art & Design 2022 BFA, Oil Painting in Fine Art, Tohoku University of Art & Design ■Main solo exhibitions 2025 “ Quality of Light - Twilight Beyond Time ”, WINDOW, Yamagata, Japan 2024 “ Light's Presence “, WINDOW, Yamagata, Japan 2023 “ Qualia ”, THE TOP, Yamagata, Japan ■Main Group Exhibitions 2025 “ TUAD ART-LINKS 2025 “, ORIE ART GALLERY, Tokyo 2025 “ Tohoku University of Art & Design Graduation Research & Project Exhibition 2024 - Tokyo Selection”, Tokyo Metropolitan Art Museum, Tokyo 2022 “ perché “, Surugadai Gallery, Ginza, Tokyo, Japan 2021 “ Victory Bouquet ”, Boston Children’s Museum, America ■Other major activities 2024 Exhibit “SICF25”, Spiral Hall, Tokyo 2023-24 Space Decoration Artwork “Japan Business Design Awards National Convention”, Kanda Myojin Hall, Tokyo/ Cooperation: EnoGG Co., Ltd., etc. 2023~2024 Animal Art Production/Cooperation: EnoGG Inc. --- My artwork expresses the "Quality of Light" inspired by twilight scenes. I am often captivated by twilight scenes that . During these moments, as diverse hues spread across the sky and light transforms continuously, vegetation seems to dissolve into the light itself. The internal form of objects progressively becomes ambiguous, transforming like silhouettes. What's fascinating, however, is that the outlines that remain until the end give me a definite intuition of "that's a flower" or "that's a bird," hinting at their original meanings. This phenomenon seems to raise questions about how humans perceive and comprehend existence. From the perspectives of neuroscience and philosophy, I believe humans’ perception of the world is constructed from three elements: "qualia," "cognitive processes," and "linguistic categorisation." I have focused on the multi-layered structure of perception, considering how these elements overlap like "layers" to form humans’ perceived world. In my artistic approach, I interpret "the outlines of objects" as symbols of "boundaries created by linguistic categorisation," and use contrasts between the ambiguous texture inside motifs and the outlines that remain in my consciousness. For my technique, I create highly transparent layered structures by combining interference pigments, mica, and small glass beads with acrylic medium. These compositions incorporate light reflections, chromatic shifts, and spontaneous textures, allowing the artwork to present different appearances depending on the viewer's perspective and changes in environmental light. This approach reflects how humans’ perceptual world exists as various overlapping meanings (layers), simultaneously containing contradictory impressions. Within this, what exactly are we focusing on and discovering? Through the shifting qualities of light, I hope we can recognize and appreciate the diverse meanings in existence around us.
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