五個地點・神社的故事
製作年份: 2022
材料或技法: 丙烯酸纖維, 帆布
尺寸: 116.7 × 91 × 1.5 cm
版本: 獨特
簽名:沒有設定

關於作品
- 製作年份
- 2022
- 材料或技法
- 丙烯酸纖維, 帆布
- 尺寸
- 116.7 × 91 × 1.5 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 製作人員名單
- (C) OGURA YOSHIKO2023
- 畫框
- 不包含
- 作品證書
- 不包含
- 藝術品經銷商
- Yoyo-YOSHI
- 發貨區域
- 沒有設定
- 發送前的天數
- 大概一周
- 類別
- 繪畫
- 風格
- 日常生活, 流行藝術, 抽象的
作品詳情
五個地方的故事
現代人們以神社為背景漂浮。它表達了從過去到未來的道路
穿著正確的衣服的人們在背景下漂浮在神社。走過神社強烈地讓我想起「動物主義」的概念。它表達了您在不知之前相信的事情,以及從過去到未來的道路
一個模糊而舒適的空間,像白天一樣
亞克力彩畫布, 花紋
70 小時
在鎌倉工作室製作
我希望它成為一件讓您感到懷舊的作品,即使它是一件現代作品。
觀賞擺飾在房間裡的樣子
購買方式
這件作品可供購買。
USD 599
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藝術家
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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