今天我要坐在黃色的房間裡
製作年份: 2023
材料或技法: 控制板, 丙烯酸纖維, 混合媒體
尺寸: 21 × 21 × 1.2 cm
版本: 獨特
簽名:包括



關於作品
- 製作年份
- 2023
- 材料或技法
- 控制板, 丙烯酸纖維, 混合媒體
- 尺寸
- 21 × 21 × 1.2 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 不包含
- 作品證書
- 沒有設定
- 藝術品經銷商
- Yoyo-YOSHI
- 發貨區域
- 神奈川縣
- 發送前的天數
- 4-7天
- 類別
- 繪畫
- 風格
- 流行藝術, 靜物, 幻想, 情緒化的
作品詳情
這件作品有黃色的花卉圖案。
在他們中,他們聊天。
黃花的花朵形式是「溫和的護理」。
這是一個常見的短語,但是當我看最近的新聞時
這是一個讓我認為再次啟動它是可以的主題。
那麼你對誰善良?
「友好」的標準是什麼?
同時注意適合任何房間的可愛作品
我想讓它成為一件作品,我有時會感受到黃色的「危險」和「警告」的含義。
難以找到的復古服裝圖案適合您的房間
它有一個堅固的鉤子,因此您可以輕鬆地將其掛在牆上
背面保留了木材溫和的質地。由於防霉劑塗在木紋上,因此可以安全防潮。中央描繪了花中的人
在圓形木板上使用丙烯酸塗料和粉彩
在圓形木板上使用復古圖案紙,丙烯酸塗料和容器
50 小時
黃色花朵的花語是「溫和的護理」。
這是一個常見的短語,但是當我看最近的新聞時
這是一個讓我認為再次啟動它是可以的主題。
那麼你對誰善良?
「友好」的標準是什麼?
同時注意適合任何房間的可愛作品
我想讓它成為一件作品,我有時會感受到黃色的「危險」和「警告」的含義。
觀賞擺飾在房間裡的樣子
購買方式
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藝術家
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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どなたでも気軽に入れるアート施設を地元に作りたいです。
アートをもっと身近に感じられる施設を増やせたら、と願っています。