聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。

製作年份: 2023

材料或技法: 拼貼畫, 帆布, 混合媒體

尺寸: 40 × 40 × 2.5 cm

版本: 獨特

簽名:沒有設定

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聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。

關於作品

製作年份
2023
材料或技法
拼貼畫, 帆布, 混合媒體
尺寸
40 × 40 × 2.5 cm
版本
獨特
簽名
沒有設定
製作人員名單
(C) OGURA YOSHIKO2023
畫框
不包含
作品證書
不包含
藝術品經銷商
Yoyo-YOSHI
發貨區域
神奈川縣
發送前的天數
2-3天
類別
繪畫
風格
日常生活, 流行藝術, 抽象的, 浪漫的

作品詳情

聖誕快樂/即使你沒有聖誕老人,今年紅鼻也會再來 

我小時候聖誕老人來時,我很興奮。

當你成年時,聖誕老人不容易出現。

這是一個關於即使沒有聖誕老人,Akanose 今年也會在您為自豪的角落佩戴一件禮物。

這件作品是一份我希望有人享受聖誕氣氛的禮物,

對於那些甚至不想裝飾樹木,但想在年底裝飾東西的人。

襪子裡面的是一種顏色鮮豔的物體,你不明白。

「這是什麼?」我希望他們搖頭

通過顯示限時的作品,您還可以期待看到您下一次選擇的作品。

作品的概念和製作意圖

我想在這份作品中表達什麼

放鬆的聖誕節

使用的生產方法和工具

亞克力封面帆布

製作所需的時間

35 小時

關於製作地點(工作室)

在日本鎌倉工作室製作

思想投入作品和標題

顏色很有趣。有助於恢復被遺忘的記憶

觀賞擺飾在房間裡的樣子

聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。
聖誕快樂/即使沒有聖誕老人,紅鼻子今年也會再來。

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藝術家

Yoyo-YOSHI
✔︎

Yoyo-YOSHI

Painting artist

Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.

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最後更新日期
2023.11.28
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