Magnet girl
製作年份: 2022
材料或技法: 丙烯酸纖維, 紙
尺寸: 33 × 51 cm
版本: 獨特
簽名:包括

關於作品
- 製作年份
- 2022
- 材料或技法
- 丙烯酸纖維, 紙
- 尺寸
- 33 × 51 cm
- 版本
- 獨特
- 簽名
- 包括
- 製作人員名單
- (C) OGURA YOSHIKO2023
- 畫框
- 可協商的
- 作品證書
- 不包含
- 藝術品經銷商
- Yoyo-YOSHI
- 發貨區域
- 沒有設定
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
- 風格
- 日常生活, 流行藝術, 抽象的
作品詳情
作品のコンセプト・制作意図
絵の中央には、一人の少女がいます。彼女は一つの磁石が示す方向に引き寄せられると同時に、もう一つの磁石が別の方向に引き寄せようとしています。彼女の表情には、戸惑いと心の葛藤が浮かんでいます。彼女は自分自身の心の中で、どの道が自分にとって最善なのかを模索しているように見えます。迷うことで 本当の自分と対話し、それを楽しめるようにしたい。人生の選択という重いテーマを軽やかなタッチで描くことで、ユーモアも含んだ作品に仕上がっています。
展示風景
動画
この作品で表現したかったこと
ユーモアを日常に
制作手法や使用している道具
紙にアクリル、コンテ
制作にかかった時間
50時間
制作場所(アトリエ)について
フランスに滞在していた時にアトリエで制作
作品やタイトルに込めた想い
大丈夫!どっちでも大丈夫!
觀賞擺飾在房間裡的樣子
購買方式
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藝術家
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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