計數 1

製作年份: 2026

材料或技法: 丙烯酸纖維, 帆布

尺寸: 33.3 × 24.2 × 1.5 cm

版本: 獨特

簽名:包括

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計數 1

關於作品

製作年份
2026
材料或技法
丙烯酸纖維, 帆布
尺寸
33.3 × 24.2 × 1.5 cm
版本
獨特
簽名
包括
畫框
不包含
作品證書
沒有設定
藝術品經銷商
Yukari KATAOKA
發貨區域
大阪府
發送前的天數
大概一周
類別
繪畫
風格
抽象的, 半抽象

作品詳情

哇,哇,哇,哇。

在呼吸中仔細聆聽自己的心跳。

當呼吸不斷重複時,它每一刻都會設置不同的節奏。

胸部發出的聲音或身體深處產生的微弱感。通過專注於它,您第一次注意到自己內心的生命跡象。

這種隱形感是通過重疊的顏色,線條和形狀來表達的。

雞蛋詩

哇,哇,哇,哇。

我會在心裡做的。

嘿,你聽不到我嗎?

哇,哇,哇,哇。

我聽到了

今天也是。

明天也是

隔天也是

觀賞擺飾在房間裡的樣子

計數 1
計數 1
計數 1
計數 1
計數 1
計數 1

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藝術家

Yukari KATAOKA
✔︎

Kataoka Yukari (Yukari KATAOKA)Born in 1982 in Hiroshima. He learned calligraphy from age 4, and has been familiar with expressions created by brush movements, rhythms, and body movements since childhood.Since then, she has been involved in milestones in people's lives as a wedding planner, and has explored relationships between body, movement, material, form, and function as a women's shoe designer. Experiences in different fields have led to a deepening interest in people's bodies, senses, and visible and invisible things.In 2012, he began drawing with pencils and drawing freehand. Starting from the intuitive act of drawing a line, my interest gradually expanded to the relationship between body movement and breathing, and the senses created there and time. I will start full-scale painting production in 2024.Currently, I mainly use colors and lines, and I create works on the theme of traces left by breathing.Breathing has a different rhythm every moment, even though it is constantly repeated. With shallow breathing and deep breathing, the world that can be felt through the body is different, even when standing in the same place. In production, we focus on our own breathing and body movements, and replace the sensation that occurs at that moment with color, brushstrokes, and the density of the screen.There, coincidences born unexpectedly intersect with choices based on one's own will. By focusing on breathing in silence and superimposing minute changes that occur through the body on a screen, they are searching for traces of existence invisible to the eye.I think painting is also an act of confirming the time one is living. Existence is not fixed; it is constantly changing. I'm trying to scoop up the signs, margins, and faint sensations that appear in the midst of that transition and keep them on the screen.While putting the desire to touch something that cannot yet be named in words at the root of the production, I hope that throughout the work, the breathing and signs that certainly existed at that moment will quietly resonate with the memories and senses of each viewer.

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将来は、空き家や使われなくなった場所を再生し、作家も地域の人も対等に関わり、経験や感性、エネルギーが循環する場所へと育てていきたいです。

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將貼紙發送給該作品來支持藝術家。(¥160〜)

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最後更新日期
2026.11.06
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