希卡里之木口

製作年份: 2026

材料或技法: 丙烯酸纖維, 帆布

尺寸: 33.3 × 24.2 × 1.5 cm

版本: 獨特

簽名:包括

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USD 245

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希卡里之木口

關於作品

製作年份
2026
材料或技法
丙烯酸纖維, 帆布
尺寸
33.3 × 24.2 × 1.5 cm
版本
獨特
簽名
包括
畫框
不包含
作品證書
沒有設定
藝術品經銷商
Yukari KATAOKA
發貨區域
大阪府
發送前的天數
大概一周
類別
繪畫
風格
抽象的, 半抽象

作品詳情

超越身體和宇宙之間的邊界。

深呼吸,專注於自己的內心世界。

傳播到身體深處的感官最終超越界限,與空間相連。

是身體還是宇宙?是內部還是外面?

當這邊界變得模糊時,我們可能會意識到我們的存在的廣闊。

「胚胎(胚胎)」是生命的一個小起點,也是擴展到新世界的可能性的象徵。

「宇宙海洋(宇宙海洋)」是一個無限擴張的生命和意識世界的形象。

從一個小存在到無限的世界。

通過這份作品,我表達了一個沒有界限的世界,在那裡,身體和宇宙,以及生命和意識與聯繫起來。

如果每個觀眾都能自由感受到他們內部發展的宇宙,我將很高興。

觀賞擺飾在房間裡的樣子

希卡里之木口
希卡里之木口
希卡里之木口
希卡里之木口
希卡里之木口
希卡里之木口

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這件作品可供購買。

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USD 245

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藝術家

Yukari KATAOKA
✔︎

Kataoka Yukari (Yukari KATAOKA)Born in 1982 in Hiroshima. He learned calligraphy from age 4, and has been familiar with expressions created by brush movements, rhythms, and body movements since childhood.Since then, she has been involved in milestones in people's lives as a wedding planner, and has explored relationships between body, movement, material, form, and function as a women's shoe designer. Experiences in different fields have led to a deepening interest in people's bodies, senses, and visible and invisible things.In 2012, he began drawing with pencils and drawing freehand. Starting from the intuitive act of drawing a line, my interest gradually expanded to the relationship between body movement and breathing, and the senses created there and time. I will start full-scale painting production in 2024.Currently, I mainly use colors and lines, and I create works on the theme of traces left by breathing.Breathing has a different rhythm every moment, even though it is constantly repeated. With shallow breathing and deep breathing, the world that can be felt through the body is different, even when standing in the same place. In production, we focus on our own breathing and body movements, and replace the sensation that occurs at that moment with color, brushstrokes, and the density of the screen.There, coincidences born unexpectedly intersect with choices based on one's own will. By focusing on breathing in silence and superimposing minute changes that occur through the body on a screen, they are searching for traces of existence invisible to the eye.I think painting is also an act of confirming the time one is living. Existence is not fixed; it is constantly changing. I'm trying to scoop up the signs, margins, and faint sensations that appear in the midst of that transition and keep them on the screen.While putting the desire to touch something that cannot yet be named in words at the root of the production, I hope that throughout the work, the breathing and signs that certainly existed at that moment will quietly resonate with the memories and senses of each viewer.

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最後更新日期
2026.11.02
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