Tangible Landscape

制作年份: 2017

材料或技法: 其他的

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Tangible Landscape

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制作年份
2017
材料或技法
其他的
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可从鹰狩山山顶俯览北阿尔卑斯雄伟山脉以及信浓大町风景的作品。纵横无尽的导线带来的实际体验,将观者从既有景观中分离出来,置于物理坐标空间中。走进可在屋梁或天花板之间跨越、潜行的不安定白色空间,将可成为形成信浓大町风景质量的一部分,与其存在对峙。

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Artist

A Japanese art team centered around artist Haruka Kojin, director Kenji Minamigawa, and installer Hirofumi Masui. They create works that allow us to re-experience the “Just a world” that constantly unfolds before our eyes. A Japanese art team centered around artist Haruka Kojin, director Kenji Minamigawa, and installer Hirofumi Masui. They create works that allow us to re-experience the “Just a world” that constantly unfolds before our eyes. The art team participated in exhibitions including the Echigo-Tsumari Art Triennale 2018, Niigata (2018), Roppongi Crossing 2019 at Mori Art Museum, Tokyo (2019), and Hawai’i Triennial 2022, Hawaii, USA (2022), among others. Their work masayume has been shown in exhibitions such as Engawa - A Season of Contemporary Art from Japan, Lisbon, Portugal (2023), Veranos de la Villa 2024, Madrid (2024), among others. Directors of Saitama Triennale 2023. As an individual artist, Haruka Kojin has presented works in exhibitions including When Life Becomes Form at São Paulo Museum of Modern Art, São Paulo, Brazil (2008), Bye Bye Kitty!!!: Between Heaven and Hell in Contemporary Japanese Art at Japan Society, New York, USA (2011), Japanorama - New vision on art since 1970 at Centre Pompidou-Metz, Metz, France (2017-2018).

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最后更新日期
2024.09.11