Transients 02 -DHMS-
制作年份: 2024
材料或技法: 纸, 控制板, 布料
尺寸: 33.3 × 24.2 × 4 cm
版本: 独特
签名:包括
关于作品
- 制作年份
- 2024
- 材料或技法
- 纸, 控制板, 布料
- 尺寸
- 33.3 × 24.2 × 4 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 包括
- 作品证书
- 包括
- 艺术品分销商
- Yuki Ioroi
- 发货区域
- 静冈县
- 发送前的天数
- 大约两周
- 类别
- 文书工作
- 风格
- 概念上的
作品详情
This is a work in which the shape of the alphabet called DHMS floats up in the center while folding and pasting on paper with words printed on it and then folding and pasting line by line.
The words “it's stupid to live every day like the last day of your life” in English and the numbers 27010 days for a 10-year-old, 23360 days for a 20-year-old, and 19710 days for a 30-year-old are written until the age of 80. This number shows how many days are left for each age when the average life expectancy (about 84 years) of Japanese people is considered a lifetime.
The language side expresses the mentality of people who tend to take it for granted that tomorrow comes forever, and the numbers express the lives of people who are surprisingly short and don't have as huge a number of days as expected, and the content contrasts between words and numbers.
It is a work that dares to visualize the number of days remaining and asks how to spend one day at a time when one becomes aware of the days that are not infinite.
The DHMS that floated up means Days, Hours, Minutes, Seconds, and it gradually became smaller from D to S.
The title Transients (Transients) means temporary visitors, short-term residents.
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艺术家
Artist
Born 1980, Shizuoka, Japan. Graduated from Tokyo Asagaya Art College, School of Image Creation in 2007. Started her career in London in 2011 and has exhibited at numerous art fairs and exhibitions in the UK, Tokyo, and the Netherlands. She mainly produces paintings and semi-three-dimensional works based on ‘words/text’. She returned to Japan in 2023 and is currently based in Shizuoka. It is said that humans think about 50,000 thoughts every day, 90% of which are the same as yesterday. Is the world we see through the endlessly repeated thoughts of the unconscious really the truth or reality? With this question as its theme, the work poses a message to the self-perception and manifest consciousness of those who confront it. 1980 Born in Shizuoka, Japan 2001 Study abroad in L.A for 2 years 2007 Graduated from Tokyo Asagaya Art College, School of Image Creation 2011 Moved to London and started a career as an artist 2013 Back to Japan and held a first solo show in Tokyo 2016 Moved to the Netherlands 2023 Back to Japan, live and work in Shizuoka [Award/Prize] 2019 Long listed for Aesthetica Art Prize, Three-Dimensional Design & Sculpture in UK 2014. The Special Jury Prize from the University of the Arts London Vice President [Solo exhibition] (selected) 2022 “Truth ≠ Fact”, Case Rotterdam, Rotterdam, the Netherlands 2016 “AsAMatterOfFact” JAPSEL Contemporary, Tokyo, Japan 2013 “BELIEVING IS SEEING” Gallery Mestalla, Tokyo, Japan [Group exhibition](selected) 2024 “Chapter 11 -Summer Show”, KEN FINE ART, Osaka, Japan 2016 “INSIGHT OUT”, KOMAGOME1-14a, Tokyo, Japan 2016 “FARO de ART”, FARO Aoyama, Tokyo, Japan 2014 “BWHOOM TOKYO”, PARCO Gallery X, Tokyo, Japan 2014 “3331 Chiyoda Art Fes Independent”, Tokyo, Japan 2013 “Open Country”, College Lodge Gallery, London, UK 2013 “Japan Now”, A-side B-side Gallery, London, UK 2012 “Read Between The Lines”, ITV Television centre, London, UK 2012 “ KiraKira”, Gallery Onetwentyeight Gallery, New York, USA 2012 “Caterpillar Dreams”, Hundred Years Gallery, London, UK 2012 “CODE Shift-beyond the code-“, The Blank Gallery, Tokyo, Japan 2012 “Salon des Refusés”, Hoxton Gallery, London,UK [Art Fair] 2018 “Artrooms”, London, UK 2017 “Moniker International Art Fair”, London,UK 2016 “Art Fair Tokyo”, Tokyo, Japan 2015 “Art Fair Tokyo”,Tokyo, Japan 2015 “KIAF”, Seoul, Korea 2014 “Tokyo Designers week Art Fair”, Tokyo, Japan
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