Ashinaga of Tōyama
制作年份: 2024
材料或技法: 铂金印花
尺寸: I. 155 × 270 mm, S. 282 × 380 mm
版本: 有版
签名:包括

关于作品
- 制作年份
- 2024
- 材料或技法
- 铂金印花
- 尺寸
- I. 155 × 270 mm, S. 282 × 380 mm
- 版本
- 有版
- 签名
- 包括
- 画框
- 包括
- 作品证书
- 包括
- 艺术品分销商
- Yoichi Ochiai
- 发货区域
- 东京
- 发送前的天数
- 没有设置
- 类别
- 照片
作品详情
Ashinaga of Tōyama
I often uses motifs of Ashinaga-tenaga (足長手長), "Long Legs Long Arms" are a pair of yōkai in Japanese folklore in my works.
The relationship between Japanese mountain folklore and Ashinaga-tenaga is deep. Sometimes they are depicted as giants living in the mountains, and sometimes there are legends of high priests sealing Ashinaga-tenaga as proof of their pioneering work in the mountains. In the tea ceremony, the term "Tōyama" is used to describe a tea pot or bowl that resembles the shape of a mountain in the distance. The motif of Tōyama's Ashinaga-tenaga were used in Yoichi Ochiai's exhibition in Yamanashi (Resonance of the Null: Interconnected Emptiness in Digital Nature), in which he created an image of the Ashinaga-tenaga motif using generative AI based on his own sculpture of Ashinaga-tenaga. Although this motif is not a photograph, the visual is reminiscent of a Ashinaga-tenaga standing in a forest in the distant mountains, and it depicts a new sense of nature and a possible representation of nature. After crossing the border from sculpture to AI, the work was again fixed in material by platinum printing.
・Year: 2024
・Materials: Platinum print
・Size:I. 155 × 270 mm, S. 282 × 380 mm
・ED. 5
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展览资讯
- 过去的展览
- Yoichi Ochiai "null-an: noise as silence ∽ silence as noise"2024.01.13 - 03.17
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