Untitled
制作年份: 2022
材料或技法: 布料, 金属
尺寸: 15.5 × 41 × 2.5 cm
版本: 独特
签名:包括

关于作品
- 制作年份
- 2022
- 材料或技法
- 布料, 金属
- 尺寸
- 15.5 × 41 × 2.5 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- Emika Hosoi
- 发货区域
- 东京
- 发送前的天数
- 约3周
- 类别
- 雕塑
作品详情
Untitled
Work price
¥44,000 - (tax included)
※Unique piece (one-of-a-kind)
Curator comments
Emika Hosoi’s works often combine the softness of velour fabric and industrial metal with the hard, rugged quality of metal fittings. Her works frequently incorporate bolts, nuts, and other functional hardware. Hosoi explains her use of such components as follows:
“When you see a sofa in a showroom, you naturally want to sit on it. When you see a handle, you imagine gripping it and lifting something; when you see a toggle latch, you imagine opening it. By attaching hardware that intuitively evokes a particular action, I want to bring the work closer to that kind of sensory experience, rather than presenting it simply as an artwork that must not be touched.”
In this way, Hosoi seeks to create objects that exist somewhere between artworks and furniture. Traditionally, paintings have often been installed on walls intended for viewing, while sculptures have been placed on pedestals for the same purpose. Hosoi, however, creates works that quietly camouflage themselves within everyday life.
Exploring the idea of “something that blends into its surroundings from a distance, but reveals itself as an alien presence when viewed up close,” her works are rich in ambiguity. With a clear understanding of established artistic traditions, she nevertheless slips deftly beyond them, emerging as a kind of game-changing artist.
Related works were exhibited in the drama “18/40: Dreams and Love for Two”
18/40: Two Dreams, Two Loves, starring Haruka Fukuhara and Kyoko Fukada in the lead roles, aired on TBS every Tuesday at 10:00 p.m. from July 11 to September 12, 2023.
The Chain Museum, which operates ArtSticker, served as the art supervisor for the series. Related artworks appeared in scenes set in the protagonist’s home, as well as in the final episode, during an exhibition organized by the company where the protagonist works.
→ Read the explanation of the home scene
→ Read an explanation of the exhibition scene
[About purchase/delivery]
・The customer is responsible for shipping the work. We will contact you with a separate estimate.
・Delivery is possible both within Japan and overseas.
・It may take up to 1 month for the work to be delivered. Please be aware in advance.
展览资讯
- 过去的展览
- 18/40展 produced by ArtSticker2023.09.13 - 10.01
购买方式
这件作品可供购买。
USD 280
*显示的为汇率换算的参考价格。结算将以日元进行。
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艺术家
Sculptor
Born in 1993. Completed an MFA in Sculpture at Musashino Art University in 2018. Combining ready-made components such as bolts and handles with materials including fabric, iron, and light, the artist creates works that move between sculpture and furniture. This practice reconsiders our relationship with familiar objects and spaces, testing the intensity of perception within everyday life. The artist calls this practice “STILLTHING” and is developing it as a new genre that extends beyond the frameworks of sculpture and furniture. Selected solo exhibitions include “STILLTHING” at Esther Okada Art Gallery (2026) and “Yellow tower” at Shoonji Temple (2025). Selected group exhibitions include “Absurdists from the Ivory Tower” at BEAMS JAPAN and Isetan Shinjuku (2025). In 2023, the artist’s work was featured in the TBS television drama *18/40: Futari Nara Yume mo Koi mo*. In the same year, the artist was selected as a finalist for the sanwacompany Art Award / Art in the House 2023. The texture of a sofa as I sink deeply into it; the sharply angled roofs of houses seen through a window; the joints of an overpass glimpsed from the roadside. These small, easily overlooked scenes from everyday life gradually accumulate in memory, eventually giving rise to a profound sense of reassurance. For me, the state of “knowing” something becomes a source of inner support—a foundation upon which a sense of peace can be built. Yet the memories and images that exist vaguely in our minds are merely the result of our own unconscious selection of information gathered through the body and its senses. My practice is an act of examining how much truth lies within the things I believe I “know” through sensory experience: things I have seen or touched, or presences I have felt against my skin. In search of the source of reassurance, I pick out elements that exist quietly within everyday life and trace my memories of what they once were. STILLTHING: an object whose state is defined by the very fact that it continues to exist there.
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