关于作品
- 制作年份
- 1994
- 材料或技法
- 油画, 帆布, 其他的
- 尺寸
- 17 × 14 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- Courtesy of Taguchi Fine Art
- 画框
- 包括
- 作品证书
- 没有设置
- 类别
- 绘画
作品详情
サイズ：17.0 x 14.0 cm
素材：油彩・キャンバス・煤・トレーシング紙・蜜蝋
作品解説
中川のドローイングの位置する平面作品で、早い時期から今日に至るまで定期的に制作しています。自身が以前に描いた油絵のキャンバスを支持体に、絵の具を剥がし新たに絵の具を重ねます。
種子を示すドットはパンチングメタルの穴に蝋燭の煤が落とし込まれてできています。
展示風景
展览资讯
- 过去的展览
观赏摆饰在房间里的样子
艺术家
Artist
相关画廊
1964 Born in Osaka, Japan
1987 B.A. Fine Art, Osaka University of Arts
Currently lives in Shiga, Japan
Born in Osaka in 1964, Yoshinobu Nakagawa now resides in Shiga prefecture. Since his first solo exhibition in 1987, the year he graduated from Osaka University of Arts, he has consistently explored the relationship between plants, agriculture, and human beings. For Nakagawa, painting resembles farming: applying pigment to a surface is like sowing seeds
into the earth.
His practice develops through four key concepts: “who sows,” “who stores,” “where to sow,” and “things sown, things stored.” These ideas appear through motifs such as farming tools, seed jars, field-like linear compositions, and delicate drawings of seed forms made with wax soot.
Although trained as a painter, Nakagawa has mainly created three-dimensional works. Moving between two-dimensional and three-dimensional expression, he continues to question the essential qualities of both painting and sculpture.
