ハンギング
制作年份: 2024
材料或技法: 丙烯酸纤维, 金属薄片, 线, 红陶, 其他的
尺寸: 120 × 15 × 21 cm
版本: 独特
签名:包括



关于作品
- 制作年份
- 2024
- 材料或技法
- 丙烯酸纤维, 金属薄片, 线, 红陶, 其他的
- 尺寸
- 120 × 15 × 21 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- Courtesy of Taguchi Fine Art
- 画框
- 没有设置
- 作品证书
- 没有设置
- 类别
- 雕塑
作品详情
サイズ:120.0 x 15.0 x 21.0 cm
素材:アクリル・テラコッタ・銀箔・革・糸・ブロンズ
作品解説
種を貯える機能に着目した作品カテゴリーの作品。種蒔きの際に使用する種の袋や貯蔵する袋のフォルムがモチーフになっています。
展示風景
展览资讯
- 过去的展览
艺术家
Artist
相关画廊
1964 Born in Osaka, Japan
1987 B.A. Fine Art, Osaka University of Arts
Currently lives in Shiga, Japan
Born in Osaka in 1964, Yoshinobu Nakagawa now resides in Shiga prefecture. Since his first solo exhibition in 1987, the year he graduated from Osaka University of Arts, he has consistently explored the relationship between plants, agriculture, and human beings. For Nakagawa, painting resembles farming: applying pigment to a surface is like sowing seeds
into the earth.
His practice develops through four key concepts: “who sows,” “who stores,” “where to sow,” and “things sown, things stored.” These ideas appear through motifs such as farming tools, seed jars, field-like linear compositions, and delicate drawings of seed forms made with wax soot.
Although trained as a painter, Nakagawa has mainly created three-dimensional works. Moving between two-dimensional and three-dimensional expression, he continues to question the essential qualities of both painting and sculpture.


