CCW260322
制作年份: 2026
材料或技法: 丙烯酸纤维
尺寸: 91 × 72.7 × 7 cm
版本: 独特
签名:包括







关于作品
- 制作年份
- 2026
- 材料或技法
- 丙烯酸纤维
- 尺寸
- 91 × 72.7 × 7 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- ©2026 Miaki Gallery
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- 三秋画廊
- 发货区域
- 没有设置
- 发送前的天数
- 展覧会終了後、2週間程度
- 类别
- 绘画
- 风格
- 抽象的, 概念上的
作品详情
"To melt and manipulate paint that has already hardened."
The CCW series by Mika Ieda is a conceptual body of work exploring the theme of "time"—an inescapable force we can never defy. The series title, CCW, stands for "Counter-Clockwise."
Typically, in the process of painting, paint dries and hardens, following a one-way progression of time. However, by employing the unique process of deliberately "melting and manipulating" acrylic paint that has already set, Ieda attempts to reverse this otherwise irreversible flow. Like pinning down a moment in the stream of time, she seeks to capture the "now" as a preserved specimen on the canvas.
A particularly noteworthy element of this work is the English tongue twister inscribed on the surface: "I wish to wash my Irish wristwatch."
Here, the "wristwatch" serves as a device to measure time, while the act of "washing" links directly to Ieda's physical process of melting the paint. This humorous play on words functions not merely as a textual quotation, but as a profound metaphor that strikes at the core of the series: "deconstructing and mobilizing time." By manifesting the paradox of "washing a watch" (i.e., melting paint to reverse time) on the canvas, the artwork presents the viewer with a quiet, eternally suspended moment.
Brilliantly visualizing the invisible concept of "time" through the fluidity of material paint and text, this piece proposes a new relationship between "time and matter" in contemporary painting. (Miaki Gallery)
展览资讯
- 过去的展览
- Miaki's Selection Exhibition “The Naked Eye”2026.04.04 - 04.25
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 2,032
*显示的为汇率换算的参考价格。结算将以日元进行。
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