Rear Window260322

制作年份: 2026

材料或技法: 丙烯酸纤维, 帆布

尺寸: 33.3 × 22 × 2.5 cm

版本: 独特

签名:包括

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Rear Window260322
Rear Window260322
Rear Window260322
Rear Window260322
Rear Window260322
Rear Window260322
Rear Window260322

关于作品

制作年份
2026
材料或技法
丙烯酸纤维, 帆布
尺寸
33.3 × 22 × 2.5 cm
版本
独特
签名
包括
制作人员名单
@2026 Miaki Gallery
画框
不包含
作品证书
包括
艺术品分销商
三秋画廊
发货区域
东京
发送前的天数
展覧会終了後、2週間程度
类别
绘画
风格
抽象的, 概念上的

作品详情

Concept and Intention of the Artwork

Powerful brushstrokes envelop the canvas, accompanied by dynamic "cracks" running through the multiple, overlapping layers of paint.

The Rear Window series by Mika Ieda takes paint—typically perceived merely as a "tool for depiction"—and elevates it to the role of the protagonist, drawing out its material energy to the absolute limit. Engaging in a deep dialogue with the textures and colors of acrylics, Ieda constructs her compositions by thickly layering the paint.

The core of this series lies in the "cracking" that occurs as the paint dries and shrinks on the canvas. Occurring beyond the artist’s intent or control, this physical phenomenon visualizes the accumulation of "time" and "chance" passing between the human and the material, manifesting as striking fissures.

The title Rear Window derives from Alfred Hitchcock’s masterpiece suspense film, a story where a confined protagonist peers through a window to observe the unpredictable actions of his neighbors. Ieda parallels herself with this protagonist, observing the unpredictable changes (or "incidents") brought about by the materiality of the paint within the confined frame of the canvas.

Thus, this work is far more than a mere still image. Through the "window" of the canvas, the viewer is invited to peer into the traces of a vital, dynamic phenomenon initiated by the paint itself. (Miaki Gallery)

Exhibition View

展览资讯

过去的展览

观赏摆饰在房间里的样子

Rear Window260322
Rear Window260322
Rear Window260322
Rear Window260322
Rear Window260322
Rear Window260322

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艺术家

家田 実香
✔︎

家田 実香

アーティスト

兵庫県出身
2018年京都造形芸術大学大学院修了
東京と埼玉を拠点に活動

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最后更新日期
2026.07.03
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