Rear Window260322
制作年份: 2026
材料或技法: 丙烯酸纤维, 帆布
尺寸: 33.3 × 22 × 2.5 cm
版本: 独特
签名:包括







关于作品
- 制作年份
- 2026
- 材料或技法
- 丙烯酸纤维, 帆布
- 尺寸
- 33.3 × 22 × 2.5 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- @2026 Miaki Gallery
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- 三秋画廊
- 发货区域
- 东京
- 发送前的天数
- 展覧会終了後、2週間程度
- 类别
- 绘画
- 风格
- 抽象的, 概念上的
作品详情
Powerful brushstrokes envelop the canvas, accompanied by dynamic "cracks" running through the multiple, overlapping layers of paint.
The Rear Window series by Mika Ieda takes paint—typically perceived merely as a "tool for depiction"—and elevates it to the role of the protagonist, drawing out its material energy to the absolute limit. Engaging in a deep dialogue with the textures and colors of acrylics, Ieda constructs her compositions by thickly layering the paint.
The core of this series lies in the "cracking" that occurs as the paint dries and shrinks on the canvas. Occurring beyond the artist’s intent or control, this physical phenomenon visualizes the accumulation of "time" and "chance" passing between the human and the material, manifesting as striking fissures.
The title Rear Window derives from Alfred Hitchcock’s masterpiece suspense film, a story where a confined protagonist peers through a window to observe the unpredictable actions of his neighbors. Ieda parallels herself with this protagonist, observing the unpredictable changes (or "incidents") brought about by the materiality of the paint within the confined frame of the canvas.
Thus, this work is far more than a mere still image. Through the "window" of the canvas, the viewer is invited to peer into the traces of a vital, dynamic phenomenon initiated by the paint itself. (Miaki Gallery)
展览资讯
- 过去的展览
- Miaki's Selection Exhibition “The Naked Eye”2026.04.04 - 04.25
观赏摆饰在房间里的样子
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