きいはな

制作年份: 2021

材料或技法: 木头

尺寸: 46×30×13cm

版本: 独特

签名:没有设置

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1 我的最爱
きいはな

关于作品

制作年份
2021
材料或技法
木头
尺寸
46×30×13cm
版本
独特
签名
没有设置
制作人员名单
©Masato Akai / Courtesy of Gallery OUT of PLACE
画框
不包含
作品证书
没有设置
类别
雕塑
风格
半抽象

作品详情

きいはな 46×30×13cm 杉、焼き入れ 2021

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Masato Akai
✔︎

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艺术家

Masato Akai
✔︎

1981 Born in Tenkawa Village, Yoshino, Nara Prefecture 2003 Graduated from the Nara College of Art Solo Exhibition‍ 2020 UTSUSE no HO/Gallery OUT of PLACE TOKIO, Tokyo | Japan 2017 Kotoyonohora/Gallery OUT of PLACE NARA, Nara | Japan 2017 Tsukamorinome/Gallery Asuka, Nara | Japan 2008 Setsuryosha Firenze Prize Exhibition, Niigata | Japan 2006 The Eyes of the Inner Man/Kita Museum of Art, Nara | Japan 2005 L'Espoir/Surugadai Gallery, Tokyo | Japan The Kii Mountains connecting through Nara, Wakayama, and Mie Prefectures, have long been worshipped since ancient times as land inhabited by Kami.* Ideas having entered from the outside close to 1,300 years ago, the region even came to be associated with Chinese legendary paradises, such as the “Peach Blossom Spring” and the enchanted lands of sages, becoming a site of faith to this day. Having played and grown up in these mountains of faith, I strove to become a painter, capturing people’s realities and fantasies long associated with the ancient mountains. Through them, we can consider the lives of its inhabitants, the coming and going of many kinds of people, and the shaping and telling of legends, stories, and histories. We may even consider contemporary issues, such as the change in environment, and our current society that continues to progress at a rapid speed. I am an observer of everything in contemporary society through the eyes of a painter, yet sometimes I turn my back to shut out all of this. I would like to search out what I can accomplish as a painter living in the contemporary era, while also living simply as one human in the mountains. *In Shinto belief, Kami are ancient deities residing in the natural world.

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最后更新日期
2021.04.07