Perapera Human3
制作年份: 2025
材料或技法: 帆布, 布料, 油画, 丙烯酸纤维, 其他的
尺寸: 55 × 23 × 2 cm
版本: 独特
签名:包括
关于作品
- 制作年份
- 2025
- 材料或技法
- 帆布, 布料, 油画, 丙烯酸纤维, 其他的
- 尺寸
- 55 × 23 × 2 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 没有设置
- 作品证书
- 包括
- 艺术品分销商
- Reika Mishima
- 发货区域
- 大阪府
- 发送前的天数
- 没有设置
- 类别
- 混合媒体
作品详情
Canvas, fabric, oil paint, acrylic paint, oil pastel
I repeat the process of observing and depicting only the surface level of my motifs, arranging motifs with shared properties on the canvas, guided by the formats of specimens and monozukushi [cataloguing related items]. I experiment with placing a stronger focus on the idea of the surface itself in my recent work by using decorative materials such as rhinestones and sequins. I explore the potentials of two-dimensional expressions through my practice.
Testimonial
Whilst her motifs of faces and still life are classical, an excitement and joy towards creation can be seen through her efforts in variations of painting methods and decorative play. Moreover, I could feel a strong will to live as an artist from her, which pushed me to this commendation. I believe that she will be able to harvest many things after AFK, and make the best of it for the future.
（Yuriko Sasaoka）
展览资讯
- 过去的展览
- ARTISTS' FAIR KYOTO 20262026.02.21 - 03.01
购买方式
这件作品可供购买。
USD 318
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艺术家
ContemporaryArtist
My work centers on the theme of “lightness.” The lightness I refer to here is not physical weight, but rather a sense of superficiality, emptiness, and carefree freedom.
While lightness is often viewed negatively, I find beauty and strength in it. I believe lightness possesses the power to effortlessly transcend fixed values and perspectives on life.
Currently, I am working on the “Perapera Humans” series and the “Specimens of Lightness” series. Through motifs such as people, still lifes, living creatures, and landscapes, I am exploring the beauty of “lightness.”
標本やものづくしの形式を手がかりに、同質性の高いモチーフを画面上に並べモチーフの表層のみを観察・描写する行為を繰り返している。近年はラインストーンやスパンコールなどの装飾的な素材を作品に用いることでより「表面」そのものに焦点を当てた制作を試みている。これらの試みを通じて、平面における表現の可能性を探っている。
I repeat the process of observing and depicting only the surface level of my motifs, arranging motifs with shared properties on the canvas, guided by the formats of specimens and monozukushi [cataloguing related items]. I experiment with placing a stronger focus on the idea of the surface itself in my recent work by using decorative materials such as rhinestones and sequins. I explore the potentials of two-dimensional expressions through my practice.