Translating the Accidental
制作年份: 2025
材料或技法: 照片, 数位印刷, 上釉
尺寸: 72.8 × 51.5 cm
版本: 公开版
签名:包括
关于作品
- 制作年份
- 2025
- 材料或技法
- 照片, 数位印刷, 上釉
- 尺寸
- 72.8 × 51.5 cm
- 版本
- 公开版
- 签名
- 包括
- 画框
- 包括
- 作品证书
- 不包含
- 艺术品分销商
- Ryuko Yonemura
- 发货区域
- 没有设置
- 发送前的天数
- 没有设置
- 类别
- 照片
- 风格
- 抽象的, 概念上的, 极简主义
作品详情
Translating the Accidental
The accidental behavior of glaze due to the firing of teacups is translated as visual language.
By photographing the surface of pottery and digitally reconstructing its structure and color, three-dimensional materialism is transformed into flat information.
“Randomness” in ceramics and “action” in digital editing.
It is a two-dimensional work as a device that visualizes the boundary between matter and data by coexisting opposing processes on the same plane.
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USD 350
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艺术家
ceramic artist / contemporary artist
Born in 2000 in Kyoto. Graduated from Tama Art University, Department of Crafts, Department of Ceramics.
They are fascinated by the durability of pottery, starting with Jomon pottery, into a universal era, and they are developing an approach that redefines it as an “archive that records human history and culture.”
Traditional aesthetic sensibility such as “likeness” rooted in Japanese pottery and “wabi-sabi” is interlaced with modern culture and sensitivities, and pottery with contemporaneity is re-presented as a modern archive.
