Rainbowall
制作年份: 未知
材料或技法: 紫外线印刷, 其他的, 木头, 石膏
尺寸: 91.5 × 181 × 5 cm
版本: 独特
签名:不包含

关于作品
- 制作年份
- 未知
- 材料或技法
- 紫外线印刷, 其他的, 木头, 石膏
- 尺寸
- 91.5 × 181 × 5 cm
- 版本
- 独特
- 签名
- 不包含
- 制作人员名单
- 大谷グランド・センター / OYA GRAND CENTER
- 画框
- 包括
- 作品证书
- 包括
- 艺术品分销商
- The Chain Museum
- 发货区域
- 东京
- 发送前的天数
- 約2ヶ月
- 类别
- 混合媒体
作品详情
UV inkjet print, aluminium, lauan plywood, mesh gauze
■作品详情
※由于本作品是订单,因此详细照片是框架和纹理图像的单独作品的图像
该设施建于1967年,是宇都宫的主要旅游景点之一,关闭后已废弃了30多年。展览室所在的空间以前是澡堂,从澡堂的窗户看到的和平观音保留了当时的回忆。
与这个空间的力量产生共鸣的是艺术家 YOSHIROTEN,他通过数字表达将对自然和历史的深刻见解进行可视化。YOSHIROTTEN 通过仔细研究这个特色空间和大谷周边地区的历史来创建这个展览。YOSHIROTTEN 在大谷大中心的努力不仅面临着大自然作为具有远古记忆的不可改变实体的迹象,还着眼于随着人类工业发展而不断变化的 “大谷石” 的现状。
展览资讯
- 当前的展览
- YOSHIROTTEN “Views of Oya Stone”2025.12.12 -
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 6,089
*显示的为汇率换算的参考价格。结算将以日元进行。
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艺术家
Artist
Yoshi Nishi (a.k.a YOSHIROTTEN) was born in 1983 in the Japanese seaside city of Kagoshima. From an early age, he was deeply inspired by the spectacular landscape surrounding his hometown, including the several active volcanoes that can be found there. The region being home to much of Japanese mythology as well as the country’s only rocket launch site also contributed to Nishi developing an epic sense of imagination. His love for the light, colour and textures from the natural environment in combination with his passion for mysticism and ‘science fiction’ can now be seen throughout his work, both as a fine artist and art director. Nishi embarked on his career while still a teenager, starting out as a graphic designer where he combined his love for music, fashion and skate culture. In 2015, he founded the creative studio YAR in Tokyo, expanding the scope of his work to include spatial design and video. Since then, Nishi has emerged as one leading professionals in his field as evidenced by his many collaborations with clients including Hermès, McLaren, Nike, Stevie Wonder, Dover Street Market and the Tokyo Gendai Art Fair. Alongside his commercial work, Nishi has been passionately pursuing his fine art production since the beginning of his career. To date, he has been part of nearly 40 exhibitions, not only in Japan, but also in The U.S., UK, Germany and China. In 2018 he held his first major solo show ‘FUTURE NATURE’ at TOLOT gallery in Tokyo, where he presented works on the theme ‘Visualization of Things Invisible’. In 2021 he embarked on his immensely popular ‘SUN’ series which revolves around 365 digital images depicting a silver sun throughout its various phases during the year. Since its inception, it has now been displayed using various mediums and produced on a large scale in a range of environments including at the Japan National Stadium, on Tokyo’s largest digital billboard in Shibuya as well as on the beaches of Kagoshima. In 2024, his retrospective show ‘YOSHIROTTEN Radial Graphics Bio,’ at the Ginza Graphic Gallery, significantly raised his profile throughout Asia and earned him a reputation of mastering a broad range of visual languages. Nishi now lives between Tokyo and London and is deepening his fine art practice further and is looking forward to presenting his work to an even wider international audience.
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