The in-between of time… this instant is already becoming the next, and that becoming is what we name Now...000
制作年份: 2025
材料或技法: 日本纸, 墨水
尺寸: 90 × 90 cm
版本: 独特
签名:包括

关于作品
- 制作年份
- 2025
- 材料或技法
- 日本纸, 墨水
- 尺寸
- 90 × 90 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 可协商的
- 作品证书
- 包括
- 艺术品分销商
- 上村白冰
- 发货区域
- 大阪府
- 发送前的天数
- 没有设置
- 类别
- 书法
- 风格
- 抽象的, 概念上的, 哲学/虚荣
作品详情
The in-between of time
This instant is already becoming the next, and that becoming is what we name Now.
________________________
This is a world painted solely in ink.
A composition attuned to its very mode of being
awakens faint images from the depths of black.
It is what lies beyond “being” and “non-being”—
the in-between of “being” and “being.”
________________________
In the Interstice Between Consciousness and Chaos.
and
Where the Seen and the Unseen Embrace.
Almost within reach, yet never quite touched—
In the in-between where contours brush against each other,
something wordless quietly breathes.
In that moment when light turns into shadow,
In that space where time overlaps and unravels,
Between you and me,
and within the spaces inside myself—
In the interstice between certainty and uncertainty,
there dwells a feeling beyond naming.
“Ahahi” is neither a beginning nor an end;
it merely, gently sways.
It appears only when you gaze upon it,
and yet
it can only truly emerge when you overlook it.
That is something only you can see.
Installation view (The in-between of time… this instant is already becoming the next, and that becoming is what we name Now...001”)
The Being of the Now in the Horizon of Eternity
"Create using nothing but ink."
The Awai series is a pursuit of the infinite chromatic possibilities contained within ink.
Here, I work solely with ink blended in my own way.
No pigments, no agents to bleach out white.
I do not draw in white, nor do I scrape the surface to reveal it.
I only repeat, again and again, the act of black through ink.
First, I draw the motif in ink, then I saturate the entire paper with the color of ink. I wait quietly as it dries. In time, as the surface settles, only the motif begins to emerge with a different expression.
What arises there is an awai—an in-between that rises beyond my intention.
Writing, staining, drying.
These three gestures each occur only once; never again in the same form.
It is this threefold singularity that grants the work its unrepeatable presence.
Awai is the faint trembling that drifts between one boundary and another.
It is where “being” and “non-being” breathe at once, where certainty and uncertainty overlap.
The black of ink embraces that contradiction, rendering visible the awai, as though to remind us that all is the in-between of being and being.
For me, this practice is proof that the awai ceaselessly endures as a shimmering presence.
By entrusting myself to a generation beyond control, the subtle presence of the “interval”—so easily overlooked—appears for an instant before my eyes.
To witness that instant is, I believe, to behold the now within eternity.
The in-between of time… this instant is already becoming the next, and that becoming is what we name Now.
购买方式
这件作品可供购买。
USD 1,006
*显示的为汇率换算的参考价格。结算将以日元进行。
购买作品时是否有需要帮助?加入等候名单
加入等待名单,以便在有作品可供购买时收到通知。
在线咨询
专业艺术顾问在这里协助您购买作品。 如果您对推荐的作品有任何疑问,或者您在购买时遇到任何问题,欢迎使用在线咨询。
艺术家
〓书法家
1978 年出生于大阪
一幅带有墨水香味的原始风景——
我的祖母曾是一名书法老师,她正在使用一支画笔。
我是在那边长大的,我自然被书法世界迷住了 “文字变成线条,线条变成文字”。
那里散发出的情感,居住在其中的灵魂。
书法不仅仅是一种书面表达;它可能是内心世界本身的体现...
这种感觉是表达的起源。
当我还在读高中的时候,我醒来时发现了通过 “写作” 传达某种东西的快乐,从那时起,我就继续自己探索 “自己的书”。
2020年,春天世界被寂静所笼罩。
再次问 “什么是书法”,然后决定回到起点。
我师从书法家 Koshozai 先生,他一直对我很满意
开始直面传统与创新之间的 “现代书法”。
白色和黑色沙丁鱼
尽管它很安静,但里面却隐藏着强度...
我相信书法是现代表达的最前沿,即使在现在,现代表达方式仍在不断发展和深化。













よろしくお願い申し上げます