《12 white inventories》(6/12)
制作年份: 2023
材料或技法: 混合媒体
尺寸: 45.5 × 33.3 × 13.3 cm
版本: 独特
签名:包括
关于作品
- 制作年份
- 2023
- 材料或技法
- 混合媒体
- 尺寸
- 45.5 × 33.3 × 13.3 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- 協力：荻須朝光、BnA Alter Museum、筒井一隆、FabCafe Kyoto、林航、みょうじなまえ
- 画框
- 没有设置
- 作品证书
- 没有设置
- 艺术品分销商
- KUBOTAOGUISS Tomohiro
- 发货区域
- 东京
- 发送前的天数
- 没有设置
- 类别
- 混合媒体
作品详情
2023/ Personal coin collections, painted wood, embroidered fabrics, hardware, lighting, collection databases/ 1 Set of 12 Pieces, Each: H455 × W333 × D133 mm
This work consists of 12 storage boxes and a collection database, created to organize and manage a personal coin collection entrusted to the artist. The original owner of the collection passed away in the summer of 2024, and according to their will, the collection has been divided into 12 pieces for sale at this fair. However, sales will not continue until all pieces are sold; instead, the process will be halted once approximately 50–70% of the pieces have been purchased.
The concept of this work lies in the delegation of storage and management of a personal collection. By creating storage boxes and a management database, and further transferring part of the responsibility to the buyers, the work seeks to question the duality of assets and liabilities in artistic practice, as well as the notion of ownership. By presenting the acts of collecting, recording, and managing as an artwork itself, this piece aims to encourage new perspectives on these processes.
Additionally, the sale price of this work is based solely on material costs, and there are no plans to pursue profit from its sales in the future.
KUBOTAOGUISS’s practice focuses on an aspect of cultural assets as a liability; his work often evades the physical creation of new objects, by means of temporary transfer of existing goods, making pacts, and undertaking other people’s liabilities. In his recent works, KUBOTAOGUISS has explored the communal ownership of objects, and ways to deal with a wide variety of liabilities, on levels ranging from the personal to the whole of humanity.
Testimonials
Kubotaoguiss’ method of production that focuses on the primary or secondary sediments of processes, locations and time needed for the presentation of artwork, stimulates the viewer by incorporating into the artwork, even the capacity of thought generated by viewing. Living in contemporary Japan, we carry various tangible and intangible burdens and responsibilities from the personal to societal levels including finance; his series inspired from the liabilities hidden in daily life, presents the comprehensive question towards the entirety of our life’s business.
（Kaoru Usukubo）
展览资讯
- 过去的展览
- ARTISTS' FAIR KYOTO 20252025.02.28 - 03.02
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艺术家
Artist
KUBOTAOGUISS Tomohiro focuses on the aspect of cultural assets as "debt," developing works that often do not involve physical creation through acts such as the temporary relocation of objects, contractual agreements, and assuming the debts of others. His practice critically examines how art intersects with institutional and economic systems through processes of ownership, management, relocation, and preservation. Recent works explore the relationships between ownership and accountability within communities, tracing how debt expands from individuals to organizations and ultimately to institutional frameworks, drawing from personal experiences and actual events.
查看艺术家信息
久保田荻須は文化資産の負債としての面に着目し、一時的な物品の移動や約束、他者の負債の肩代わりなどにより、しばしば物理的創作を伴わない制作を行う。近年の制作では個人的な状況や実際にあった出来事をベースに、共同体によるモノの所有や、個人から人類全体にまでおよぶ広範な負債に対しての向き合い方について探る作品を展開する。
KUBOTAOGUISS’s practice focuses on an aspect of cultural assets as a liability; his work often evades the physical creation of new objects, by means of temporary transfer of existing goods, making pacts, and undertaking other people’s liabilities. In his recent works, KUBOTAOGUISS has explored the communal ownership of objects, and ways to deal with a wide variety of liabilities, on levels ranging from the personal to the whole of humanity.