There is touch

Year: 2024

Material/Technique: Canvas, Oil

Size: 60.6 × 72.7 × 2.5 cm

Edition: Unique

Signed:Included

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There is touch
There is touch
There is touch
There is touch
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There is touch

About the Work

Year
2024
Material/Technique
Canvas, Oil
Size
60.6 × 72.7 × 2.5 cm
Edition
Unique
Signed
Included
Frame
Not Set
Work Certificate
Included
Distributor of artworks
Ari Tazaki
Ship-from Area
Not Set
Days Until Dispatch
展示会終了後、約1ヶ月
Category
Painting
Hashtag

Work Details

“Touched”

Production year: 2024

Size: H60.6cm x W72.7cm x D2.5cm

Material: oil, canvas

Edition: Unique Piece (one-of-a-kind)

Work certificate: Yes

*Entry period: 2024/12/6 (Fri) 13:00 to 12/12 (Thu) 23:00

<Story of the work>

Readings that cannot be seen happen on a daily basis. It's a feeling that as I doubt the person in front of me, I don't understand what I'm thinking.
I want to carefully follow everything from the outline in order to know the true form of what I'm trying to see.

■Interview article

A serial project to ask current artists about their works and the other side of production.
We asked Ani Tasaki about the concept of the work and his future goals.

Click here for the interview article ▽ https://artsticker.app/events/55475

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There is touch
There is touch
There is touch
There is touch
There is touch
There is touch
There is touch
There is touch
There is touch
There is touch
There is touch
There is touch
There is touch

How to Buy

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This artwork can be purchased through entry.

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SOLD OUT

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

The entry period has ended.

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Artist

Ari Tazaki
✔︎

Ari Tazaki

Junior at Tokyo University of the Art

“The fear of ‘not understanding anything’ makes me terrified, so I want to expose and uncover the ‘you’ standing right in front of me.”
This raw mixture of fear and desire toward genuine, life-sized communication is the root of my creative concept.
In my practice, while continuing to create works that deal with macro perspectives on society and the times, I have also begun to work on pieces that take my own extremely personal experiences and emotions as their motifs.
For example, just as both the time I spend time outside connecting with society and the time I return home to be alone in my room lost in thought are equally indispensable to me, in my creative process I feel like I’m constantly moving back and forth between micro and macro viewpoints. I feel that these different scales have recently begun to coexist naturally within me.

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ご支援は今後の制作活動に大切に使わせていただきます。

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Last updated date
12.05.2024
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