Kirinoka
Year: 2023
Material/Technique: Ink, Resin, Canvas
Size: 73 × 61 × 1.5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2023
- Material/Technique
- Ink, Resin, Canvas
- Size
- 73 × 61 × 1.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Tomo Sakurai
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 作品箱や額装が完成次第、発送します。
- Category
- Mixed Media
- Style
- Abstract, Minimalism, Asia
Work Details
This artwork uses kimonos that are on the verge of being destroyed and sublimates them into paintings. The kimonos used in this artwork are mourning dresses that have either never been used or have been cleaned. Despite the world-class advanced black dyeing technology, the kimono are being used less frequently and are being discarded in large quantities. My intention is to raise this issue through art.
*Mounting hardware is included due to 2 cm of warping. Using the hardware and mounting it on the wall will eliminate the problem.
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How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
contemporary artist
My practice explores dynamic equilibrium by viewing all phenomena as a continuum rather than fixed opposites. At its core is the Three Visual Principles: Black & White, Color, and Ma, representing opposition, transition, and the space where differences coexist.
Using paint, ink, resin, metal, earth, wax, glass, and mineral pigments, I work with melting, oxidation, heat, and deposition. I observe how materials transform and interact over time, allowing their behavior to shape the work.
These processes give rise to Awai, a space where differences remain distinct while existing together. Within Awai, equilibrium appears as a temporary state in which no element fully dominates another. It is not static balance, but a dynamic condition sustained through change, tension, and fluctuation.
My works preserve these transient relationships as material fragments of Awai and dynamic equilibrium.
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