Painted Ghost House - K (drawings)
Year: 2023
Material/Technique: Paper
Size: H43.0 x W35.0 x D2.7 cm(額装サイズ)
Edition: Edition Available
Signed:Not Set
About the Work
- Year
- 2023
- Material/Technique
- Paper
- Size
- H43.0 x W35.0 x D2.7 cm(額装サイズ)
- Edition
- Edition Available
- Signed
- Not Set
- Frame
- Included
- Work Certificate
- Not Set
- Category
- Photograph
Work Details
■Details of the work
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Production year: 2023
Size: H42.5 x W35.5 x D2.5 cm
Material: silver halide print
Edition: Ed 5, AP2
[About purchase and delivery]
・The customer is responsible for shipping the work.
・Delivery is possible both within Japan and overseas.
・It may take approximately 1 to 2 months for the work to be delivered after the exhibition period ends (late October 2024). Please be aware in advance.
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■State of the venue
■Exhibition Information
Period
2024/10/1 (Tue) to 10/26 (Sat)
Venue
Paichu Gallery
Address
Asahi Seimei Roppongi Building, 5-2-4 Roppongi, Minato-ku, Tokyo 106-0032
2nd floor
(Please take the stairs at the back left of the elevator to the 2nd floor)
phone number
03-6434-9367
Opening time
17:00-23:00
Closed
Sun and Mon
Admission is free
Access
4 minutes on foot from Roppongi Station on the Hibiya Line, 7 minutes on foot from Roppongi Station on the Oedo Line
13 minutes on foot from Nogizaka Station on the Chiyoda Line, 13 minutes on foot from Roppongi-itchome Station on the Namboku Line,
Artists
小林敬生 / Keisei Kobayashi
海老塚耕一 / Koichi Ebizuka
GROUP
サリーナー・サッタポン / Sareena Sattapon
中村直人 / Naoto Nakamura
成定由香沙 / Yukasa Narisada
Organized by
GAS AS INTERFACE CO.,LTD.
Cooperate
ArtSticker (operated by The Chain Museum)
Exhibition Information
- Past Exhibitions
- Paichu Gallery x Gas as Interface "Kizu/slash and create"10.01.2024 - 10.26
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Artist
Artist
Born in 1998. Graduated from Tokyo University of the Arts Graduate School of Fine Arts, majoring in architecture in 2024. Architecture/image/photography are thought and expressed as main areas, such as “House of the Missing (Missing Ghost House)” (2024), which is based on decommissioned nuclear reactors and the nuclear colonialism behind them, and “Hong Kong Reverse Transplantation” (2021), which envisions a memorial space against lost history. Major exhibitions include “Ground Zero” (2023/Kyoto) and “I Can't (Maybe) Me” (2022/Kyoto/Tokyo) as selected projects for the Kyoto Art Center Co-Program 2023.
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