see - no.18 -
Year: 2023
Material/Technique: Print, Silk Screen, Acrylic Plate, Pigment, Ink
Size: 50 × 50 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2023
- Material/Technique
- Print, Silk Screen, Acrylic Plate, Pigment, Ink
- Size
- 50 × 50 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- PHOTO : daizaburo nagashima instagram : @daizabrow
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- MIZUHO NAKAMURA
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Style
- Abstract, Minimalism, Geometry
Work Details
Photo: Daizaburo Nagashima
Photo : daizaburo nagashima
I create works with vision and sight as the main theme. What do I watch because I keep creating? This is because the question that is difficult to grasp exists at the root of me. Regarding the act of seeing, the moment we see an object, that object continues to exist within each one in the form in which it has been interpreted. Every day, many of them are incorporated into us at a tremendous speed, and we live our daily lives by acting intricately and changing, forgotten when not needed, and stored in a safe place. The series of acts of seeing is for “that person,” including myself and others. I feel this is something special for that person who can't intervene. I have a feeling that I want to get even a little closer and capture this natural yet very strange and special “seeing,” so I am continuing production.
How to Buy
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artist , printmaker
I create works with vision and sight as the main theme.
What do I watch because I keep creating? This is because the question that is difficult to grasp exists at the root of me.
Regarding the act of seeing, the moment we see an object, that object continues to exist within each one in the form in which it has been interpreted. Every day, many of them are incorporated into us at a tremendous speed, and we live our daily lives by acting intricately and changing, forgotten when not needed, and stored in a safe place.
The series of acts of seeing is for “that person,” including myself and others. I feel this is something special for that person who can't intervene. I have a feeling that I want to get even a little closer and capture this natural yet very strange and special “seeing,” so I am continuing production.
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