untitled
Year: 2024
Material/Technique: Ceramic, Oil
Size: 41 × 21 × 7 cm
Edition: Unique
Signed:Included

























About the Work
- Year
- 2024
- Material/Technique
- Ceramic, Oil
- Size
- 41 × 21 × 7 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Category
- Sculpture
Work Details
Production year: 2024
size H41 x W21 x D7 cm
Material: pottery, oil painting
Edition: Unique Piece (one-of-a-kind)
Work certificate: Yes (signed)
Until now, we have continued to create works that search for people's way of being centered around theatrical elements hidden in everyday life, and this time, this is a new sculpture that focuses on things that any human being would believe somewhere in their heart, such as fortune telling, jinxes, amulets, and magic tricks.
■Details
Includes wall mounting hardware
Signed on the back
■Exhibition scenery
Exhibition view of the solo exhibition “WHEEL OF FORTUNE”
Exhibition view of the solo exhibition “WHEEL OF FORTUNE”
Exhibition view of the solo exhibition “WHEEL OF FORTUNE”
Exhibition view of the solo exhibition “WHEEL OF FORTUNE”
Exhibition view of the solo exhibition “WHEEL OF FORTUNE”
Exhibition view of the solo exhibition “WHEEL OF FORTUNE”
■Interview article
Artist Interview | Nakata Emiri
We asked Emiri Nakata, who is thinking about and creating “how people should be” centered around theatrical elements hidden in everyday life, about the concept of her work and her future goals in line with her solo exhibition at GALLERY ROOM A.
■Exhibition information on exhibited works
This work will be exhibited at the solo exhibition “WHEEL of FORTUNE” to be held from 2024/3/16 (Sat) to 4/14 (Sun) at GALLERY ROOM A, a commercial gallery in Asakusa.
Includes wall mounting hardware
Exhibition Information
- Past Exhibitions
- Nakata Emiri's new solo exhibition “WHEEL OF FORTUNE”03.16.2024 - 04.14
Artist
artists
Born in 1997 in Tokyo. Graduated from Tokyo University of the Arts, Graduate School of Fine Arts, Department of Sculpture. Aiming to be a professional ballerina, she creates works using ceramics and CG/video based on her experience of playing roles on stage. Theatrical elements that can be felt from everyday life are incorporated into stories based on ballet, theatrical programs, children's stories, etc. They search for ways to be people by superimposing hollow ceramics and empty humans as containers for roles.
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プロのバレリーナを目指し舞台上で役を演じる経験をもとに、セラミック、CG/映像を用いた作品を制作しています。日常生活から感じられる演劇的な要素を、バレエや演劇の演目、童話などをベースとした物語に落とし込み、空洞なセラミックと役の入れ物としての空虚な人間たちを重ね合わせ、ひとの在り方を模索しています。