RAIN2
Year: 2024
Material/Technique: Canvas, Acrylic, Others
Size: 80.3 × 60.6 cm
Edition: Unique
Signed:Not Set
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2024
- Material/Technique
- Canvas, Acrylic, Others
- Size
- 80.3 × 60.6 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Set
- Work Certificate
- Not Set
- Distributor of artworks
- Marino Funahashi
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 4-7 Days
- Category
- Painting
Work Details
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painters
Born in Aichi Prefecture in 1989. Influenced by her father, who is a painter, she has been familiar with painting since childhood. Completed the Musashino Art University Graduate School of Art and Design, Department of Design, Space Production Design Course. Based on the theme of memory circulation, the production focuses on the coexistence and harmony of “non-existent beings” that remain in the brain, and the colors, shapes, temperature, and time that the existence of memory has. Paradoxically because the episode (figurative) has disappeared due to its “absence” Draw an emphasized “sensory framework.” Denmark, Abu Dhabi, etc. He has repeatedly exhibited at overseas art fairs, and will hold a solo exhibition in Hong Kong in 2026. Coexistence and harmony contained in time and landscape Focusing on the colors, shapes, temperature, and time of the existence of memory, he abstracts landscapes where various things coexist and expresses them as compositions. In today's diversifying world, they are exploring ways of coexistence by replacing the relationship between color and texture, and searching for a harmonious and ideal worldview. Although it is non-figurative, it is based on the concept of “symbolic abstraction,” which emerges as a symbol by being connected to the viewer's inner senses and memories, and quietly questions the ambiguous feelings and sensations lurking within the viewer's inner world due to afterimages of sensations evoked by brushwork and a screen configuration with physical thickness possessed by time.
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