Route 353
Year: 2023
Material/Technique: Oil, Acrylic, Cotton, Panel
Size: 25.7 × 36.4 cm
Edition: Unique
Signed:Included

About the Work
- Year
- 2023
- Material/Technique
- Oil, Acrylic, Cotton, Panel
- Size
- 25.7 × 36.4 cm
- Edition
- Unique
- Signed
- Included
- Credits
- (c) Kaori Furuhashi
- Frame
- Not Set
- Work Certificate
- Included
- Category
- Painting
Work Details
群馬県中之条町の国道353号からの眺めをもとに描いている。
「中之条ビエンナーレ2019」展示設営後の8月初旬、安全性の面でやり忘れたことがあるのに気づき、焦って原付で会場へ向かった。次第に知った山が近づいてくることが嬉しく、見晴らしの良いところで思わず写真を撮った。
作品は色の置き換えを試み、2,3回失敗してベースから描き直している。今後もう少し大きいサイズで描きたい色の組合わせの一つ。
Installation View
〈 舟の上/On a Boat 〉
Date: 10.28 - 11.19.2023
Venue: ARTDYNE, Tokyo
Detail
ちなみに中之条町を走る国道353にはメロディライン/ロードという区間があって、ある速度で走行すると「いつも何度でも」のメロディを聴くことができる(が、残念ながら原付では聴こえなかった)。
Artist
Painter
Painter. Born in Tokyo in 1982. MFA in oil painting study from the University of Tsukuba in 2007. Starting from familiar views such as hills, water surfaces, light, and fences, Furuhashi makes paintings in which thin stains and tactile thick paint coexist. In recent years, she has also been researching painting materials related to transparency/ translucency. Recent group exhibitions include "The Way of Paintings 2022" (Sompo Museum of Art, Tokyo, 2022), "Nakanojo Biennale 2019" (Former Daisan Elementary School, Gunma, 2019), and "BankART Under 35 2017" (BankART Studio NYK, Kanagawa, 2017). Recent solo exhibitions include "Artist Series Vol. 101 Kaori Furuhashi - Between Flickers -" (Kiyosu City Haruhi Art Museum, Aichi, 2023), and "Islands in the Mud" (Viento Arts Gallery, Gunma, 2019). Won the Semi-Grand Prize in "The 10th Kiyosu City Haruhi Painting Triennale", the Excellent Work Award in "FACE 2019 Sompo Japan Nipponkoa Art Award Exhibition" and more. ... When painting, I repeatedly choose whether to connect things naturally or strangely. What words do the lines, planes, blurs, and sharp edges that interferes with clear perception of objects evoke? For me, it’s separation, parallel, coexistence, floating, holes, gravity, transparency, etc. My work is like a tentative collection of the subtle nuances from those words. Photo by Emi Nakata
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