＜こわいろ #5 - 火の粉
Year: 2023
Material/Technique: Canvas, Oil
Size: 45.5 × 53 cm
Edition: Unique
Signed:Included
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2023
- Material/Technique
- Canvas, Oil
- Size
- 45.5 × 53 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- The Chain Museum
- Ship-from Area
- Tokyo
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Everyday, Conceptual, Society / Politics / History
Work Details
裁判傍聴シリーズ《こわいろ》
今回展示する連作《こわいろ》は、都市に生きる人の人生に落ちた影を描くことで、私なりの「都市」へのアプローチを試みる絵画シリーズです。
本作の取材のため何度も裁判傍聴に通いました。
放火、薬物依存、殺人未遂、強盗致傷…、さまざまな事件と向き合う際、私にとっての唯一無二の事実は、物音ひとつしない裁判所の中で真実を語る証言者や犯人の声色（こわいろ）でした。
舌ったらずで早口な声色、涙ぐみながら話す声色、淡々と謝罪文を読み上げる無感情な声色。抑制され規則化された場でありながら、漏れ出るかすかな感情。
彼ら彼女らの「こわいろ」は、私の中で反響して、モノクロームの光と影の世界に無意識の色彩をもたらしたのです。
Trial Hearing Series 《Kowairo》
The series of paintings on view in this exhibition, "Kowairo," is a series of paintings that attempt my own approach to the "city" by depicting the shadows that have fallen over the lives of people living in the city.
I went to court hearings many times to research for this work.
Arson, drug addiction, attempted murder, robbery, etc... When facing various cases, the one and only fact for me was the tone of voice of the witnesses and criminals who told the truth in the noiseless courtroom.
The tone of voice is quick and lisping, tearful, emotionless as they read out their apologies in a matter-of-fact manner. The voices were restrained and regimented, but the faintest of emotions leaked out.
Their "kowairo" reverberated within me, bringing unconscious color to the monochrome world of light and shadow.
Exhibition Information
- Past Exhibitions
- 私東京 vol.15 田崎蟻｜こわいろ01.09.2024 - 01.21
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Junior at Tokyo University of the Art
“The fear of ‘not understanding anything’ makes me terrified, so I want to expose and uncover the ‘you’ standing right in front of me.”
This raw mixture of fear and desire toward genuine, life-sized communication is the root of my creative concept.
In my practice, while continuing to create works that deal with macro perspectives on society and the times, I have also begun to work on pieces that take my own extremely personal experiences and emotions as their motifs.
For example, just as both the time I spend time outside connecting with society and the time I return home to be alone in my room lost in thought are equally indispensable to me, in my creative process I feel like I’m constantly moving back and forth between micro and macro viewpoints. I feel that these different scales have recently begun to coexist naturally within me.
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