石拾い、冬、折れた髪

Year: 2020

Material/Technique: Oil, Cotton, Panel

Size: 68.2 × 91.2 cm

Edition: Unique

Signed:Not Set

石拾い、冬、折れた髪

About the Work

Year
2020
Material/Technique
Oil, Cotton, Panel
Size
68.2 × 91.2 cm
Edition
Unique
Signed
Not Set
Credits
(c) Kaori Furuhashi
Frame
Not Set
Work Certificate
Not Set
Category
Painting

Work Details

濃紺の色面を大きくつくることに取り組んだ作品。2014年に描いた《水際に》という作品の構成を元に、少し大きいサイズへ展開した。

Installation View

〈 清須市はるひ絵画トリエンナーレ アーティストシリーズ Vol.101 古橋 香 展 点滅-Between Flickers- 〉2023

Venue: Kiyosu City Haruhi Museum of Art, Aichi

Details

Artist

Kaori Furuhashi
✔︎

Painter. Born in Tokyo in 1982. MFA in oil painting study from the University of Tsukuba in 2007. Starting from familiar views such as hills, water surfaces, light, and fences, Furuhashi makes paintings in which thin stains and tactile thick paint coexist. In recent years, she has also been researching painting materials related to transparency/ translucency. Recent group exhibitions include "The Way of Paintings 2022" (Sompo Museum of Art, Tokyo, 2022), "Nakanojo Biennale 2019" (Former Daisan Elementary School, Gunma, 2019), and "BankART Under 35 2017" (BankART Studio NYK, Kanagawa, 2017). Recent solo exhibitions include "Artist Series Vol. 101 Kaori Furuhashi - Between Flickers -" (Kiyosu City Haruhi Art Museum, Aichi, 2023), and "Islands in the Mud" (Viento Arts Gallery, Gunma, 2019). Won the Semi-Grand Prize in "The 10th Kiyosu City Haruhi Painting Triennale", the Excellent Work Award in "FACE 2019 Sompo Japan Nipponkoa Art Award Exhibition" and more. ... When painting, I repeatedly choose whether to connect things naturally or strangely. What words do the lines, planes, blurs, and sharp edges that interferes with clear perception of objects evoke? For me, it’s separation, parallel, coexistence, floating, holes, gravity, transparency, etc. My work is like a tentative collection of the subtle nuances from those words. Photo by Emi Nakata

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Last updated date
11.06.2023