Where have all the flowers gone ?

Year: 2021

Material/Technique: Ink, Charcoal, Pastel, Acrylic, Guazh, Paper

Size: 75 × 49 cm

Edition: Unique

Signed:Not Set

This artwork is available for purchase.

USD 2,004

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Where have all the flowers gone ?

About the Work

Year
2021
Material/Technique
Ink, Charcoal, Pastel, Acrylic, Guazh, Paper
Size
75 × 49 cm
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Included
Distributor of artworks
Camille Fischer
Ship-from Area
Abroad
Days Until Dispatch
Not Set
Category
Drawing
Style
Quiet, Emotional, Primitivism, Romantic, Outsider Art, Fantasy, Others

Work Details

Concept and Intention of the Artwork

This drawing is part of a series of

plants painted in the manner of a paradise herbarium,

where glittery touches bring light out of shadow.

Production Methods and Tools

mixed media on newsprint paper

watercolor, ink, chinese ink, gouache, acrylic, charcoal, pencil, metallic pigment and glitter

Production Time

2021

Production Location

Strasbourg

※海外から発送の作品になりますので、購入お問合せの際のお名前と住所の入力は日英両方ご記入ください

関連記事

Salut! Tokyo Vol.4 Camille Fischer

How to Buy

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This artwork is available for purchase.

USD 2,004

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Camille Fischer
✔︎

Camille Fischer

Stained Eyes IV

Camille Fischer, lives and works in Strasbourg. She is a graduate of the Royal Academy of Antwerp (fashion design) and the HEAR Strasbourg (jewellery workshop). Her works balance between fashion, jewellery and contemporary art. She is represented in Paris by Maïa Muller gallery. Camille Fischer was born in 1984, lives and works in Strasbourg and is represented in Paris by the Maia Muller gallery. She is a graduate of the Royal Academy of Antwerp (fashion design) and the HEAR Strasbourg (jewellery workshop). Her practice is multidisciplinary, combining drawings, collages, objects, jewellery, clothing, textiles, performances and installations to reach a "Gesammkunstwerk". The baroque aesthetic she developed fits in some ways in a symbolist heritage, that she’s assuming actually, quoting William Morris, Maeterlinck or Huysmans for instance. Comparable in sophistication, this work differs, however, in refusing the morbid fascination, but retaining the historical concern of artists then, before the changes announced by the industrial revolution, which echoes her generation to the comparable contemporary challenges of globalization.

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I would like to edit wallpaper and carpet from my art work, so please support :)

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Last updated date
08.14.2023
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