Passing, Falling #23
Year: 2026
Material/Technique: Oil, Acrylic, Sand Painting, Spray Paint, Canvas
Size: 65.2 × 65.2 × 3 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 2,176
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Oil, Acrylic, Sand Painting, Spray Paint, Canvas
- Size
- 65.2 × 65.2 × 3 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- Blackbird Gallery
- Ship-from Area
- Aichi Prefecture
- Days Until Dispatch
- Not Set
- Category
- Painting
Work Details
Series “An echo”
アーティストステートメント
私は、人間の記憶や知覚のプロセスを主題に制作を行っています。私たちが見ている世界は、現実そのものではなく、経験や感情、時間の経過によって絶えず編集され、再構築された像です。記憶は保存されるものではなく、思い出すたびに新たな意味を帯びながら形を変えていきます。
私は、その曖昧で流動的な営みを、色彩や質感、素材が持つ時間性を通して抽象的に表現しています。
自然が刻む時間の痕跡や、素材が内包する変化のプロセスを取り入れることで、目には見えない記憶や感覚、人間の内側に積み重なる時間を可視化することを試みています。
デジタル技術やAIによって情報が正確に記録・再現される現代において、私がフォーカスするのはその対極にある、人間だけが持つ曖昧さや揺らぎ、不完全さです。
絵画によって抽象的に落とし込まれた図像による心理現象パレイドリアや、色彩や質感を通して立ち上がる記憶の断片など作品を通して、人が何を記憶し、何を失い、それでもなお心の中に残り続けるものは何なのか。
その問いを静かに見つめ続け、「シンプルで純粋な人間性への回帰」を探求しています。
本展では、名古屋初となる4つのシリーズを一堂に展開します。それぞれのシリーズが持つ時間と余白、記憶のあり方など、完成した瞬間ではなく、まだ形になっていない、移ろい続けている余白そのものを可視化する試みです。
Exhibition Information
View in a Room
How to Buy
This artwork is available for purchase.
USD 2,176
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painters
Born in Aichi Prefecture in 1989. Influenced by her father, who is a painter, she has been familiar with painting since childhood. Completed the Musashino Art University Graduate School of Art and Design, Department of Design, Space Production Design Course. Based on the theme of memory circulation, the production focuses on the coexistence and harmony of “non-existent beings” that remain in the brain, and the colors, shapes, temperature, and time that the existence of memory has. Paradoxically because the episode (figurative) has disappeared due to its “absence” Draw an emphasized “sensory framework.” Denmark, Abu Dhabi, etc. He has repeatedly exhibited at overseas art fairs, and will hold a solo exhibition in Hong Kong in 2026. Coexistence and harmony contained in time and landscape Focusing on the colors, shapes, temperature, and time of the existence of memory, he abstracts landscapes where various things coexist and expresses them as compositions. In today's diversifying world, they are exploring ways of coexistence by replacing the relationship between color and texture, and searching for a harmonious and ideal worldview. Although it is non-figurative, it is based on the concept of “symbolic abstraction,” which emerges as a symbol by being connected to the viewer's inner senses and memories, and quietly questions the ambiguous feelings and sensations lurking within the viewer's inner world due to afterimages of sensations evoked by brushwork and a screen configuration with physical thickness possessed by time.
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