Hiroi Hikaru No.2

Year: 2026

Material/Technique: Canvas, Acrylic, Mixed Media

Size: 33.3 × 19 × 2 cm

Edition: Unique

Signed:Included

This artwork is available for purchase.

USD 403

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Hiroi Hikaru No.2
Hiroi Hikaru No.2
Hiroi Hikaru No.2
Hiroi Hikaru No.2

About the Work

Year
2026
Material/Technique
Canvas, Acrylic, Mixed Media
Size
33.3 × 19 × 2 cm
Edition
Unique
Signed
Included
Regarding sales

2026年10月1日〜4日よりつくば市のART SPACE布布より展示販売いたします。

Frame
Negotiations
Work Certificate
Included
Distributor of artworks
Fuji Risako
Ship-from Area
関東
Days Until Dispatch
About 2 Weeks
Category
Painting
Style
Abstract

Work Details

Concept and Intention of the Artwork

I had a sense of incongruity with the fact that conventional expressions were superimposed as they were, and I came across this work while searching for new possibilities of expression. It was born in a space called the main hall of a temple in parallel with the main work for a solo exhibition in Tsukuba City.

Apply a base layer with modeling paste to explore a multi-layered texture where minerals are formed over a long period of time. Also, gold was densely applied to the edge of the support, adding a dense beauty depending on the angle.

This work finds the new light you've been looking for at the end of a search like walking through undeveloped land.

Derived from the theme of “nature,” it depicts humans.

When I first started drawing this series, the subject was “nature.”

The lumpy matière on the screen symbolizes the earth, and the soft layer that oozes symbolizes the flow of water.

It was close to my senses, evoking “memories of scenery” within me.

However, as production continued, the depiction of nature gradually began to be linked to human emotions, time, and philosophy.

Hard strata turn into “strongly engraved memories,”

The ooze of water leads to “thoughts and feelings that flow and do not return,”

And the “serenity” born in nature overlapped with my own inner serenity.

If you look at it superficially, this work is an abstract landscape based on imagination.

However, traces of my own life flow, memories, and thoughts have sunk into it.

Before I knew it, drawing nature was supposed to depict humans —

I think that is the quiet change and change of meaning that underlies this work.

When I first started painting abstracts, the subject was “nature.”
The lumpy texture that appears on the screen and the expression that paint oozes out evoked “memories” and “feelings” of the landscape within myself.

However, as production continued, expressions of nature gradually became linked to human emotions, time, and philosophical questions.

The surface of the earth is blurry and lumpy with no shape.
Each work has a different meaning, and they reflect traces of my own inner world from time
to time.
At some point, drawing nature was supposed to depict people and thoughts.
This is common to all series.

Presence in Space

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This artwork is available for purchase.

USD 403

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Fuji Risako
✔︎

I paint beautiful nature that feels as if time has stopped.
By superimposing nature and us
We find meaning in being here and now

Time is limited and extremely valuable, and I think it's something that won't increase even if you want to increase it.
I noticed that when I looked at nature based on such thoughts, I felt as if time had stopped.
I started making this work because I wanted to express this strange feeling.

One question came to mind while I was proceeding with the production of the work.

Why do we feel that beautiful nature is beautiful?

Nature itself did not change its appearance or shape so that it felt beautiful when reflected in the human eye,
I thought everything was a result of coincidental overlap.

And that beauty is only possible when we have been programmed to feel that nature is beautiful.

Both nature and us were created by coincidental overlap.

By touching the work, I think we can discover the mystery and significance of the fact that we are here and now.

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Last updated date
07.30.2026
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