light in the shadow
Year: 2025
Material/Technique: Oil, Panel, Cotton
Size: 100 × 65.2 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 2,150
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Oil, Panel, Cotton
- Size
- 100 × 65.2 cm
- Edition
- Unique
- Signed
- Included
- Credits
- Courtesy of salon mosaic
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- salon mosaic
- Ship-from Area
- Osaka Prefecture
- Days Until Dispatch
- About 3 Weeks
- Category
- Painting
- Style
- Conceptual, Emotional
Work Details
As you look at the landscape, the temperature and humidity at that time, and the memories and feelings that emerge depending on the object being viewed are combined with vision, and the landscape reflected in the eye can be seen brightly or sunken. From that, I feel that what is visible is often uncertain, and I recognize that not only what is visible forms the field of vision.
For me, drawing pictures is about visualizing physical sensations that have become memories. Also, at the same time, the painting was launched as a “new place” to reflect events in which the body reacted.
Exhibition Information
- Past Exhibitions
- ART OSAKA 202605.28.2026 - 06.01
View in a Room
How to Buy
This artwork is available for purchase.
USD 2,150
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Born in 1998. Based in Osaka. When I look at a landscape, the temperature and humidity I feel in that moment merge with my vision, along with the memories and emotions evoked by the subject. This combination can make the scenery appear either bright or subdued. Because of this, I feel that what we see is often uncertain. I realize that my field of vision is not formed solely by what is visible to the eye. For me, painting is a way to visualize bodily sensations that have become memories. At the same time, I establish the canvas as a "new space" that reflects the events to which my body has reacted.
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