無題 (絵画) #4
Year: 2026
Material/Technique: Oil, Paper, Others, Acrylic
Size: 49 × 62.5 cm
Edition: Unique
Signed:Included
About the Work
- Year
- 2026
- Material/Technique
- Oil, Paper, Others, Acrylic
- Size
- 49 × 62.5 cm
- Edition
- Unique
- Signed
- Included
- Credits
- Courtesy of Taguchi Fine Art
- Frame
- Included
- Work Certificate
- Not Set
- Category
- Painting
Work Details
サイズ：49.0 x 62.5 cm
素材：綿布・アクリル・油彩・再生紙
作品解説
最も新しい平面作品のシリーズからの新作。新聞紙を溶かして固めた支持体に、花柄の刺繍が施された布、そしてガーゼを張り込み、バーナーで焼いた後にアクリル絵の具で着彩。絵の具を重ねたり削ったり、農夫が大地を耕すように中川は素材に手を加えています。
展示風景
Exhibition Information
- Past Exhibitions
View in a Room
Artist
Artist
Affiliated Gallery
1964 Born in Osaka, Japan
1987 B.A. Fine Art, Osaka University of Arts
Currently lives in Shiga, Japan
Born in Osaka in 1964, Yoshinobu Nakagawa now resides in Shiga prefecture. Since his first solo exhibition in 1987, the year he graduated from Osaka University of Arts, he has consistently explored the relationship between plants, agriculture, and human beings. For Nakagawa, painting resembles farming: applying pigment to a surface is like sowing seeds
into the earth.
His practice develops through four key concepts: “who sows,” “who stores,” “where to sow,” and “things sown, things stored.” These ideas appear through motifs such as farming tools, seed jars, field-like linear compositions, and delicate drawings of seed forms made with wax soot.
Although trained as a painter, Nakagawa has mainly created three-dimensional works. Moving between two-dimensional and three-dimensional expression, he continues to question the essential qualities of both painting and sculpture.
