ハンギング
Year: 2024
Material/Technique: Acrylic, Foil, Thread, Terracotta, Others
Size: 120 × 15 × 21 cm
Edition: Unique
Signed:Included



About the Work
- Year
- 2024
- Material/Technique
- Acrylic, Foil, Thread, Terracotta, Others
- Size
- 120 × 15 × 21 cm
- Edition
- Unique
- Signed
- Included
- Credits
- Courtesy of Taguchi Fine Art
- Frame
- Not Set
- Work Certificate
- Not Set
- Category
- Sculpture
Work Details
サイズ:120.0 x 15.0 x 21.0 cm
素材:アクリル・テラコッタ・銀箔・革・糸・ブロンズ
作品解説
種を貯える機能に着目した作品カテゴリーの作品。種蒔きの際に使用する種の袋や貯蔵する袋のフォルムがモチーフになっています。
展示風景
Exhibition Information
- Past Exhibitions
Artist
Artist
Affiliated Gallery
1964 Born in Osaka, Japan
1987 B.A. Fine Art, Osaka University of Arts
Currently lives in Shiga, Japan
Born in Osaka in 1964, Yoshinobu Nakagawa now resides in Shiga prefecture. Since his first solo exhibition in 1987, the year he graduated from Osaka University of Arts, he has consistently explored the relationship between plants, agriculture, and human beings. For Nakagawa, painting resembles farming: applying pigment to a surface is like sowing seeds
into the earth.
His practice develops through four key concepts: “who sows,” “who stores,” “where to sow,” and “things sown, things stored.” These ideas appear through motifs such as farming tools, seed jars, field-like linear compositions, and delicate drawings of seed forms made with wax soot.
Although trained as a painter, Nakagawa has mainly created three-dimensional works. Moving between two-dimensional and three-dimensional expression, he continues to question the essential qualities of both painting and sculpture.












