Violet Trace
Year: 2025
Material/Technique: Canvas, Acrylic, Mixed Media
Size: 27.2 × 21.7 × 3 cm
Edition: Unique
Signed:Included

About the Work
- Year
- 2025
- Material/Technique
- Canvas, Acrylic, Mixed Media
- Size
- 27.2 × 21.7 × 3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Category
- Painting
- Style
- Abstract
Work Details
This work was inspired by amethyst.
He is familiar with amethyst, which is also the artist's own birthstone, and incorporates its color and crystal texture as motifs.
The wooden cube standing on the screen symbolizes “inevitability within chance” and “order contained in the unconscious” lurking in the natural world. The regular shapes seen in minerals and natural stones are rare orders that appear in chaotic nature. Inspired by that figure, this cube is placed in the work as a “miracle shape” that appears after countless choices and events overlap.
Derived from the theme of “nature,” it depicts humans.
When I first started drawing this series, the subject was “nature.”
The lumpy matière on the screen symbolizes the earth, and the soft layer that oozes symbolizes the flow of water.
It was close to my senses, evoking “memories of scenery” within me.
However, as production continued, the depiction of nature gradually began to be linked to human emotions, time, and philosophy.
Hard strata turn into “strongly engraved memories,”
The ooze of water leads to “thoughts and feelings that flow and do not return,”
And the “serenity” born in nature overlapped with my own inner serenity.
If you look at it superficially, this work is an abstract landscape based on imagination.
However, traces of my own life flow, memories, and thoughts have sunk into it.
Before I knew it, drawing nature was supposed to depict humans —
I think that is the quiet change and change of meaning that underlies this work.
When I first started painting abstracts, the subject was “nature.”
The lumpy texture that appears on the screen and the expression that paint oozes out evoked “memories” and “feelings” of the landscape within myself.
However, as production continued, expressions of nature gradually became linked to human emotions, time, and philosophical questions.
The surface of the earth is blurry and lumpy with no shape.
Each work has a different meaning, and they reflect traces of my own inner world from time
to time.
At some point, drawing nature was supposed to depict people and thoughts.
This is common to all series.
Presence in Space
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Artist
artists
I paint beautiful nature that feels as if time has stopped.
By superimposing nature and us
We find meaning in being here and now
Time is limited and extremely valuable, and I think it's something that won't increase even if you want to increase it.
I noticed that when I looked at nature based on such thoughts, I felt as if time had stopped.
I started making this work because I wanted to express this strange feeling.
One question came to mind while I was proceeding with the production of the work.
Why do we feel that beautiful nature is beautiful?
Nature itself did not change its appearance or shape so that it felt beautiful when reflected in the human eye,
I thought everything was a result of coincidental overlap.
And that beauty is only possible when we have been programmed to feel that nature is beautiful.
Both nature and us were created by coincidental overlap.
By touching the work, I think we can discover the mystery and significance of the fact that we are here and now.
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