《Traced Presence#6》
Year: 2026
Material/Technique: Oil, Spray Paint, Canvas, Others
Size: 22.7 × 22.7 × 1.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 416
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Oil, Spray Paint, Canvas, Others
- Size
- 22.7 × 22.7 × 1.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Marino Funahashi
- Ship-from Area
- Tokyo
- Days Until Dispatch
- Not Set
- Category
- Painting
Work Details
《Traced Presence#6》
Size: H 22.7cm × W 22.7cm × D 1.5cm (SSM)
Materials: oil, sand, spray, canvas
Year: 2026
Edition: one-of-a-kind
Framing: none
Price: 66,000 yen (tax included)
■Interview article
A serial project to ask current artists about their works and the other side of production.
We asked Marino Funanashi about the concept of the work and his future goals.
Click here for the interview article ▽
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How to Buy
This artwork is available for purchase.
USD 416
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painters
Born in Aichi Prefecture in 1989. Influenced by her father, who is a painter, she has been familiar with painting since childhood. Completed the Musashino Art University Graduate School of Art and Design, Department of Design, Space Production Design Course. Based on the theme of memory circulation, the production focuses on the coexistence and harmony of “non-existent beings” that remain in the brain, and the colors, shapes, temperature, and time that the existence of memory has. Paradoxically because the episode (figurative) has disappeared due to its “absence” Draw an emphasized “sensory framework.” Denmark, Abu Dhabi, etc. He has repeatedly exhibited at overseas art fairs, and will hold a solo exhibition in Hong Kong in 2026. Coexistence and harmony contained in time and landscape Focusing on the colors, shapes, temperature, and time of the existence of memory, he abstracts landscapes where various things coexist and expresses them as compositions. In today's diversifying world, they are exploring ways of coexistence by replacing the relationship between color and texture, and searching for a harmonious and ideal worldview. Although it is non-figurative, it is based on the concept of “symbolic abstraction,” which emerges as a symbol by being connected to the viewer's inner senses and memories, and quietly questions the ambiguous feelings and sensations lurking within the viewer's inner world due to afterimages of sensations evoked by brushwork and a screen configuration with physical thickness possessed by time.
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