白く染まれ
Year: 2011
Material/Technique: Photograph, Acrylic
Size: 29.7 × 21 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 321
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2011
- Material/Technique
- Photograph, Acrylic
- Size
- 29.7 × 21 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- © MARs / MohejiActiveRecords © 密売交易 / SecretDealStore
- Frame
- Included
- Work Certificate
- Not Set
- Distributor of artworks
- Id Mung
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Mixed Media
- Style
- Society / Politics / History
Work Details
Title: 白く染まれ
Medium: Photo,acrylic painting
Size: 21x29.7(cm)
Year: 2011
今回のコラージュの写真の舞台は神戸の昔からの風俗街である福原通。
現代の日本は何でも臭いものには蓋をし、なかったことにする。
そのなかったこと=真っ白にさせることにより、本作のイメージが出来上がりました。
Title: Paint it white
Medium: Photo,acrylic painting
Size: 21x29.7(cm)
Year: 2011
The stage of this collage photos is Fukuwara Street in Kobe which is famous as red light district from the old days.
Currently, in Japan, we cover anything that stinks and say it didn’t exist.
The image of this artwork came from “it didn't exist=make it all white”.
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How to Buy
This artwork is available for purchase.
USD 321
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Contemporary Artist
My work is guided by the shifting moods of the "now." Each project begins with a unique theme and approach, leading to a diverse collection that may seem visually disconnected. Yet, beneath the surface, a consistent trace of emotion and atmosphere remains. I invite you to experience these intangible threads that tie my creations together. At first glance, my work lacks a unified style, often leading people to ask, "Did the same person really create all of this?" or "What exactly are you trying to express?" To be honest, I intentionally craft my work so that it eludes a single, clear-cut image. My goal has always been to create a body of work where, upon looking back, one might only catch a vague, flickering sense of—"Perhaps this belongs to that artist." This concept has remained steadfast since I first began creating. By doing so, I believe I can maintain a vast expressive range without boundaries. I prioritize the raw impulse and the urge to express above all else. I have no desire to be pigeonholed into a fixed artist persona or to have my work become easily predictable. I invite you to first explore my works as a whole; through that experience, I believe you will begin to perceive the essence of what I am reaching for. I am a contemporary artist. To me, "contemporary" is something fluid and undefined. I hope you find joy in that very uncertainty—in the hazy, beautiful ambiguity of it all.
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